Sunday, June 6, 2010

Mundane History wins Transilvania Trophy


Please, no jokes about vampires.

Anocha Suwichakornpong's (อโนชา สุวิชากรพงศ์) social drama Mundane History (Jao Nok Krajok, เจ้านกกระจอก) took the top prize at the Transilvania International Film Festival, which had its gala awards on Saturday night in in Clug.

Mundane History most assuredly did not suck, as it took the Transilvania Trophy, a prize worth €10,000, in the 12-film competition.

Anocha received the award from German director Wim Wenders, who was honored this year with the festiva's Lifetime Achievement Award (to an outstanding personality of the European cinema).

Also playing in the festival was Pen-ek Ratanaruang's forest thriller Nymph (Nang Mai), a recent award winner at Thailand's Subhanahongsa Awards. It was part of the Shadows section.

In all, the ninth edition of the Transilvania fest had 240 films from 47 countries.

Update: Film Business Asia has more coverage, including the jury's statement and the attendance figure.

(Via Graiwoot and Electric Films on Facebook)

Review: Sin Sisters 2 (Phu Ying Ha Bap 2)


  • Directed by Sukrij Narin
  • Starring Thichacha Jareonpongpreecha, Saruta Reungwiriya, Rungrawee Barijindakul, Patshuda Pantapipat, Kanoklada Wichakon, Pornthip Pulsawat
  • Released in Thai cinemas on May 27, 2010; rated 20-
  • Wise Kwai's rating: 2/5

Historic because it's the first commercially released Thai film to be given the restrictive 20- rating, everyone involved with Sin Sisters 2 (ผู้หญิง 5 บาป 2, Phu Ying Ha Bap Song) is going to look back and wish it were better.

Writer-director Sukrij Narin might wish he'd made a more compelling commentary of society's ills rather than a hamfisted and boring argument that having sex is sinful.

The actresses are going to wish they had given more nuanced performances, rather than the over-the-top, hammy mugging they all engage in.

And the censors, or ratings board, or whatever they are, they're going to wish they'd banned this dumb movie.

But then there's nothing here that's worth banning.

And as for the restrictive rating, there's nothing here that anyone who's of at least the legal age of consent shouldn't be barred from seeing. People should have the freedom to watch bad movies if they want.


Sin Sisters 2 is supposed to be a test case for the Thai motion-picture ratings system. But if Sukrij is seeking to push the envelope to see how far he can go, it appears he didn't push hard enough. Or maybe he did, and this is what you get.

What's seen here is barely R-rated – the type of soft-porn you might see late at night on cable television in the U.S.

Under the U.S. ratings system, an R rating is restricted, with viewers under 17 not admitted without a parent or guardian.

There is the NC-17 rating, formerly known as rated X until that term was co-opted by the porn industry. NC-17 strictly bars anyone under 17 from seeing the movie, but is rarely used.

Ang Lee's Lust, Caution was a rare NC-17 movie and it showed considerably more than Sin Sisters 2 does. It'd be interesting for Lust, Caution to be officially submitted under Thailand's current censorship system to see how Tony Leung Chiu-Wai's private parts fare.


Under Thailand's system, 20- is the lone restricted rating, barring viewers under the age of 20. I.D. checks are mandatory, at least if you look young.

At the box office, there was no I.D. check for me, though the doors to the screening hall were closed when I arrived, and a cineplex staffer was keen to check my ticket before I entered.

All the other age ratings, 13+, 15+ and 18+, are advisory only, and anybody can see those movies regardless of their age. So the harsh 20- rating is the only alternative for cultural minders wanting to keep big-screen smut away from young eyes.

So far there have been two other 20-minus (also unofficially stated as 20+) movies released in Thailand. The first was Werner Herzog's Bad Lieutenant: Port of Call New Orleans, which presumably had the restricted rating imposed for the copious depictions of drug use by star Nicolas Cage. It had only a limited release.

The second movie to get the 20- rating – and the first Thai film to be rated such – is Anocha Suwichakornpong's Mundane History (Jao Nok Krajok), which so far has been shown in Thailand at last year's World Film Festival of Bangkok and has yet to be commercially released. Though the movie is filled with symbolism and allegories to Thai society, presumably the harsh rating is for the infamous bathtub masturbation scene, which has full-frontal male nudity.

It's probably a better case study of what the censors might allow than Sin Sisters 2.

Essentially, Sin Sisters 2 is the same thing as the Thai soap operas that are broadcast into homes nightly, but with more skin. It's a slap-and-kiss scream fest mated with lousily framed sex scenes. There's a few girl-on-girl smooches and lots of lame grunting, groaning and pantomine thrusting to no avail.

A few random shots of undulating bare breasts are thrown in, and there's perhaps one brief instance of a gyrating buttock. But those naked body parts don't appear to actually belong to any of the actresses whose faces are on the screen. The naughty bits could have been borrowed from a breast-examination video or a "sex DVD" the street hawkers on Silom are always pushing.


The story has five women – TV producer Nan (Thichacha Jareonpongpreecha), closeted-lesbian pop singer Oil (Saruta Reungwiriya), soap actress Joyce (Rungrawee Barijindakul), model Bam (Patshuda Pantapipat) and beauty-pageant queen Oom (Kanoklada Wichakon) – trapped together in a dark room. Each is on a platform in front of a spiked wall, and their wrists are cuffed to chains dangling from the ceiling. They are all modestly dressed in long shirts, though a couple of the more generously chesty actresses have their top buttons undone, showing off cleavage and designer bras.

A devilish voice informs them that four will die. Each must confess their deepest, darkest, most sinful sexual secret. The one whose sin is judged worst by the Satanic speaker will be the one who survives.

And there's the usual twist. It involves a rival pageant queen named Panda (Pornthip Pulsawat).

That all of them are affiliated with the entertainment industry is commentary enough. They all use sex to get what they want. It's the mean-spirited, shallow and pessimistic view that everyone in showbiz are talentless hacks who sleep their way to the top.

They are adulterers, cheaters and liars. But their greatest sin it seems is that they enjoy sometimes kinky sex.

Can't have that.

I dreaded seeing Sin Sisters 2, but went ahead and submitted myself to the lash anyway, because of the movie's, you know, historic value.

It's Sukrij's sequel to a controversial 2002 offering on roughly the same premise that is generally ranked as one of the worst Thai films ever made. Thai cinephile Jit Phokaew lauds Sin Sisters for its so-bad-it's-good quality.

And approaching Sin Sisters 2 on the lookout for cult-movie qualities, it's actually somewhat enjoyable.

I liked the color palette and garish costume design, the deliberate over-acting and the cornball 1980s hair-metal that played over every sex scene, just like a porno.

There's even attempts at humor, with ubiquitous comedian Kom Chuanchuen appearing in a weird role as a South Korean pop star.

Early on, the mood is light-hearted as the characters in the first tryst re-enact the iconic ice massage scene from Nonzee Nimibutr's 2001 erotic drama Jan Dara. The guy holds up the DVD box, just in case you didn't get the reference. They make reference to the original Sin Sisters too.

So I didn't hate it and wish I hadn't bothered.

But I probably wouldn't want to see it again though, not even decades from now in a retrospective on Thai cinema history.



See also:


Related posts:

Friday, June 4, 2010

Comedy trio tops Thai box office for two weeks

Proving the resilience of Thai slapstick comedy, Sam Yan (สามย่าน), a three-story collaboration by directors Yuthlert Sippapak, Ping Lumprapleung and Jaroenporn “Kotee Aramboy” Onlamai for Film R Us, has been the No. 1 movie in Thailand for the past two weeks.

According to Box Office Mojo, Sam Yan earned $285,635, about 9.3 million baht, on its second weekend of release on May 27-30.

Opening weekend May 20-23, it earned $216,850, about 7 million baht, to laugh off the likes of Shrek Forever After, Robin Hood and The Losers.

Compared to previous weeks, overall box-office receipts were down by around half the weekend of May 20-23, when a curfew was imposed in the deadly and destructive violence that spread in the aftermath of the May 19 crackdown on the red-shirt political protests in Bangkok. That black weekend saw the arson blaze of the historic Siam Theatre and the torching of the CentralWorld shopping center, shuttering the 15-screen SF World Cinema, the country's largest multiplex.

B.O. totals have rebounded since the lifting of the nighttime curfew on May 29.

Other Thai films released in the past couple of weeks have not performed as strong as Sam Yan, which by the way is not playing anywhere with English subtitles.

Last weekend's new release, Sin Sisters 2, (ผู้หญิง 5 บาป 2, Phu Ying Ha Bap Song), opened in fourth place, earning $92,430 (about 3 million baht). Released by Mongkol Films, the sex comedy about five women being tortured into telling their sauciest secrets, is the first Thai commercial release to get the restrictive 20- classification under the Kingdom's new motion-picture ratings system. The required I.D. checks are apparently keeping younger moviegoers away.

Tony Jaa's historical martial-arts drama Ong-Bak 3 was hanging in 11th place, with a gross-to-date of around $1.3 million (43 million baht). The second of a pair of prequels to the smash-hit 2003 first entry, Ong-Bak 3 struggled against the Hollywood releases of Iron Man 2 and Robin Hood and its release during the political protests made it a comparatively weak performer. It has also had a poor critical reception.

The embattled action star has since become a monk, which is routine for Thai Buddhist men and usually only temporary, lasting about a month or so. But foreign websites and bloggers are speculating, perhaps wrongly, he will stay in the monkhood forever, or at least until his talent contract with studio Sahamongkolfilm International runs out.

Thursday, June 3, 2010

Phuket Film Festival 2010: Tribute to Khun Kom Akadej


The Phuket Film Festival this year has a Tribute to Khun Kom Akadej, honoring an major figure in Thai cinema history.

I asked Regis at Thai World View, who chronicles classic Thai cinema, to tell me a bit more.

Kom Akadej (คมน์ อรรฆเดช) made a string of around 12 action movies and dramas from 1975 to 1987. According to ThaiFilmDb.com, he was also an actor in around eight films from 1971 to 1975.

Among his films was 1979's The Mountain Tiger (เสือภูเขา, Sua Poo Kao, also The Mountain Lion) and 1983's The Opera Hero (พยัคฆ์ยี่เก, Payak Yeekay, literally “The tiger of Thai song and dance theatre”).

Probably his most ambitious production was 1982's Diamond Cuts Diamond (เพชรตัดเพชร), which included Hong Kong superstar David Chiang in the cast. It's also known as Operation Bangkok, not to be confused with the 1966-7 Mitr Chaibancha movie of the same name.

Kom then switched to directing Thai TV series.

He served as president of the Federation of National Film Associations of Thailand from 1999 to 2002.

And, Phuket Film Festival director Scott Rosenberg calls him "the dean of film distribution in southern Thailand".

Kom is the owner of the Coliseum chain of cinemas – the home of movie-goers in Phuket and southern Thailand.

The Phuket Film Festival is showing seven of Kom's films. Here's the lineup:


I'm told that only The Mountain Lion has English subtitles, and it's showing on Saturday, June 5, at 5 and on June 13 at 11am. The rest are on Sunday, June 6, in back-to-back free screenings, starting at noon. Seating is limited to 90 people

The festival opens tomorrow with Harishchandrachi Factory by Paresh Mokashi. India's submission to the Oscars is a comedy-drama about the making of the first Indian silent feature.

Saturday has a Bollywood smash-hit, 3 Idiots, a sprawling road-trip comedy about a pair of friends looking for their heroic college friend (Aamir Khan) and recalling their days at the university while under terrible stress from a beastly professor. There's also the Festival of Short Films.

They're also showing Chadni Chowk to China, a crazy mash-up of Bollywood and Shaw Brothers martial arts, starring Akshay Kumar, Gordon Liu, Deepika Padukone and Conan Stevens.

Sunday also has The Prince and Me 4: The Elephant Adventure, which was shot in Thailand, as well as two tsunami documentaries, Kepulihan: Stories from the Tsunami and the benefit screening Revealed: Anatomy of a Recovery, proceeds from which go to help the Moken community in the Phuket area.

Aside from films, the weekend is packed with parties and receptions, including the opening gala at the Royal Phuket Marina.

Update: The full schedule is here. They aren't really maintaining that B-Side thing for now.

Wednesday, June 2, 2010

We are fine: International Short Film Festival Hamburg focuses on Thailand


Fourteen Thai shorts from 2000 to 2010 are featured in We Are Fine: Thailand – Country Focus at the International Short Film Festival Hamburg.

"We are Fine is a collection of films which discreetly deal with everyday life in Thailand," says the festival website.

The selection includes works by such well-know indie names as Panu Aree, Thunska Pansittivorakul, Jakrawal Nilthamrong and Uruphong Raksasad.

Shorts I know by heart include Nawapol Thamrongrattanarit's Bangkok Tanks, featuring MSN messages sent on the night of the September 19, 2006, coup; I'm Fine Sa-Bai-Dee-Ka, with Tanwarwin Sukkhapisit sitting in the hot sun in a cage by the Democracy Monument, make-up melting off and reassuring passerbys by she's fine, just fine, thank you; and the enjoyable Four Boys, White Whiskey and Grilled Mouse by Wichanon Somumjarn.

Also of interest is Na Bua, shot on the sidelines during the production of Apichatpong Weerasethakul's Primitive project.

Here's the program:

  • Karn La Krung Nueng (Once Upon a Time), Panu Aree, 2000 • 13 min.
  • Sukati (A Tale of Heaven), Phuttiphong Aroonpheng, 2010, 5:40 min.
  • Swamp, Tanatchai Bandasak, 2008, 2:25 min.
  • Ya Lerm Chan (Don’t Forget Me), Manutsak Dokmai, 2003, 10 min.
  • Na Bua (Small Village and Its Remains), Chaisiri Jiwarangsan, 2009, 15:30 mon.
  • Orchestra, Jakrawal Nilthamrong, 2008, 22:20 min.
  • Mahasajan Krungtap (Unseen Bangkok), Thunska Pansittivorakul, 2004, 6 min.
  • Wan Tee Yao Nan (The Longest Day), Uruphong Raksasad, 2005, 13 min.
  • Tay Kan Wayla (‘... I did not dream last night’), Taiki Sakpisit, 9:44 min.
  • Hua-lam-pong, Chulayarnnon Siriphol, 2004, 12 min.
  • Tiang Naa Noi Koi Rak (Four Boys, White Whiskey and Grilled Mouse), Wichanon Somumjarn, 2009, 10 min.
  • I‘m fine. Sa-bai-dee-kha!, Tanwarin Sukkhapisit, 2008, 3:30 min.
  • Bangkok Tanks, Nawapol Thamrongrattanarit, 2006, 5 min.
  • Chai Wan Nhee (Now Showing), Krissakorn Thinthupthai, 2009, 21.

The Hamburg fest started yesterday and runs until June 7.

Bangkok Indiefest set for August 6-8

Initially pencilled in to start this week, Bangkok Indiefest is set for August 6 to 8 and recently announced its venue will be at HOF Art near Ratchadapisek MRT station.

Produced by Camerado in association with Location Thailand, Bangkok IndieFest promises to be "a cross-cultural cinematic showcase of compelling non-mainstream independent films and videos from Thailand and the rest of the world."

Dark Bridge chosen for PiFan's It Project


Dark Bridge, a thriller by Bangkok-based Argentine-Spanish filmmaker Marcelo von Schwartz, is among 15 titles chosen for the Network of Asian Fantastic Films "It Project" market at the 14th Puchon International Fantastic Film Festival.

IMDb, where the project is listed as "in production", has the synopsis:

David White is an American surgeon who comes to Bangkok for a conference. He meets a mysterious Thai woman who guides him towards a past he did not know changing his role, from a respected surgeon to a confused detective, to finally discover his father's hidden story and consequences.

Dark Bridge is debut feature by Schwartz, who is co-producing the picture with Juthamas Sitthichai. It stars Nate Harrison with Peter Rnic, Christopher Evans, Keysha Monique Mabra, Antonio Pineda and Jeab Li.

Bangkok-based raconteur Pineda details working on the film on his blog.

In all, there were 74 submissions from 21 countries. Other projects on the shortlist include Berandal by Indonesia-based Merantu director Gareth Huw Evans (TwitchFilm.net's Todd Brown co-producing) and Camera by James Leong from Singapore.

Film Business Asia has the complete list.

The 14th Puchon International Fantastic Film Festival runs from July 15 to 25 with NAFF held from July 18 to 22.

(Via Film Business Asia, MThai)

Photo essay: 19th Subhanahongsa Awards


Kecha Plianvithee (เกชา เปลี่ยนวิถี) is the honoree for the Lifetime Achievement Award at the 19th Subhanahongsa Awards (รางวัลภาพยนตร์แห่งชาติ สุพรรณหงส์). He was a classic movie villain in the 1970s and '80s, with 45 credits listed on ThaiFilmDb.com from 1966 to 1987. He appeared in last year's Phobia 2, portraying a dying old man opposite Dan Worrawech in the segment Ward.


In a departure from traditional movie-awards ceremonies, the first award handed out was for Best Director. The presentation was made by industry veteran MC Chatrichalerm Yukol, who made a short keynote address and then handed out the award. Kongkiat Komesiri won for Slice (Cheun), which also picked up honors for make-up and score.


Veteran writer-director Somkiet Vituranich picked up the award for best screenplay for October Sonata, which also won for Best Film, costumes and best supporting actor.


The awards ceremony, held at the historic Chalermkrung Royal Theatre after a two-month delay because of the political protests in Bangkok, was unusual, with the awards presentations combined with entertainment in such a way that the presenters had to shout over their microphones to be heard while an a-capella singing group was performing. There was also an opera singer and some dancing going on. Most film-industry insiders quoted by The Nation seemed to like the show.


The final performance was by the Teddy Ska Band, which introduced a new tambourine player to its line-up. Off came the hat and sunglasses to reveal veteran actor Sorapong Chatree, who then presented the Best Film award to October Sonata.

(Photos courtesy of the Federation of National Film Associations of Thailand)

Tuesday, June 1, 2010

Mum and Thep together again in Po Taek

Funnyman Petthai "Mum Jokmok" Wongkumlao teams up with veteran comedian Thep Po-ngam (สุเทพ โพธิ์งาม) in Po Taek (โป๊ะแตก), a satiric mockumentary-style behind-the-scenes look at the Thai film industry.

Watch the trailer, embedded below, and check out Mum coaching his old mentor Thep on how best to act like a lizard.

There's shenanigans on the craft-service line and more wackiness during the traditional prayer ceremony to mark the start of production. You have thick-headed actors who can't take direction and stuntmen raising their amputated limbs to volunteer for a dangerous scene.

Other familiar comedians turn up, including Mum's Ching Roi Ching Lan TV castmates Choosak "Nong Cha Cha Cha" Iamsuk and Theng Terdterng, as well as Note Chern-yim, Kom Chuanchuen, "Tukky" Sudarat Butrprom and Apaporn Nakonsawan.

It's a busy time for Thep, who last year declared bankruptcy and put on a pair star-studded live benefit concerts to put him back on good financial footing.

During the red-shirt political protests there was talk of a boycott of Thep after the bald-headed comic appeared at "multi-color shirts" counter-protest rallies. Box-office results for Po Taek, in cinemas this Thursday, will show whether they were serious.

The Killer Tattoo star also leads the upcoming drama Friday Killers (or is it Friday Killer?), premiering as the closer of the Phuket Film Festival. It's part of the trio of hitman movies directed by Yuthlert Sippapak for Phranakorn.

And he's also supposed to do the documentary The Cult Maker with Yuthlert for Film R Us.

Produced by Workpoint, Baa-Ram-Ewe and Sahamongkolfilm International, Po Taek is covering similar ground to another film from Film R Us, Sam Yan, currently in theaters. That trio of comedy stories has comedian Kohtee Aramboy as a director having behind-the-scenes troubles with his lead actor.

Apichatpong-a-rama: The episodic nature of Uncle Boonmee Who Can Recall His Past Lives

Well here it is more than a week since Apichatpong Weerasethakul went down in history as the first Thai to win the prestigious Palme d'Or at the Cannes Film Festival.

In the world press, there continues to be much amazement about the winning film with the cumbersome title, Uncle Boonmee Who Can Recall His Past Lives. And any folks in the media simply can't get over Apichatpong's name and the fact that he tells people to just call him Joe.

It wasn't such a big surprise that the film won. I was pretty sure it would go to the main competition in Cannes, even if Apichatpong himself wouldn't believe it or expect that it would actually win. And based on the love affair Cannes has had with Apichatpong – Un Certain Regard prize in 2002 for Blissfully Yours, jury prize in 2004 for Tropical Malady, named to the jury in 2008 – a win for Uncle Boonmee seemed like safe bet if I were a gambling man. But I'm not.

And I didn't want to jinx it.

So where do we go from here? Anywhere and everywhere it seems, except maybe Thailand for now. Film Business Asia has the lowdown on some two dozen sales deals made for Uncle Boonmee, including New Wave Films in the UK and Filmswelike in Canada.

It's playing at the upcoming Sydney Film Festival – the first of many, many post-Cannes festival appearances.

Another good place to start is with Kong Rithdee's article in last Friday's Bangkok Post, "Of Monkey Ghosts and Men". Kong was there in Cannes, so offers a first-hand, intimate look at the film and its maker. Here's a bit:

Uncle Boonmee swirls in my head because it touches on many levels at once; you can approach it philosophically, politically, even scientifically, or you can just watch it as a child's fantasy, a rural tale about strange creatures and sentimental ghosts. In its genome, the movie is a meta-thesis on cinema and its power to create illusion; and how the idea of reincarnation doesn't apply only to humans, but also to the art form that thrives on deja vu and paralleled dimensions of past and present. Apichatpong understands that after more than a century and so much technological advance, cinema has arrived at a critical moment: it has to reflect upon itself and go inward in order to go outward and find its own rebirth after a long, unquantifiable death.

"When you watch a film, it's something that's already happened. It already has a past life," he said. "Uncle Boonmee is really about cinema to me. [I was inspired] by old television shows that were shot on 16mm camera, as well as by one-baht Thai graphic novels that show a different landscape of ghosts. I'm fascinated by that and try to put it in the movie.

"Uncle Boonmee has six reels [that are combined to become a 115-minute movie]. Each reel has a different acting style, lighting and reference on cinema. When you make a film about recollection and death, you realise that cinema is also facing death. Uncle Boonmee is one of the last pictures shot on film _ now everybody shoots digital. It's my own little lamentation, this thing about dividing the six reels into six styles. In the first reel, it's my kind of film when you see long takes of animals and people driving. The second reel is like old cinema with stiff acting and classical staging, then it's a documentary style in the third reel. The fourth reel is a costume drama... [and so on]."

More about the episodic nature of Uncle Boonmee is touched on in a Guardian podcast.

There's also a BBC's The Film Programme and BBC's On the Strand.

Apichatpong has also been promoting Phantoms of Nabua, the short film that is also part of the same Primitive multi-platform art project as Uncle Boonmee Who Can Recall His Past Lives. The flaming soccer-ball action short is at BFI Southbank in London until July 4.

Update: And don't forget the short, A Letter to Uncle Boonmee. It'll cost you $1 to watch at Mubi.