Showing posts with label Yuthlert. Show all posts
Showing posts with label Yuthlert. Show all posts

Friday, May 6, 2016

Review: Buppha Arigato


  • Written and directed by Yuthlert Sippapak
  • Starring Supassara Thanachat, Charlie Potjes, Chalermpon Thikampornteerawong, Yok Teeranitayatarn, Aphichan Chaleumchainuwong, Thana Wityasuranan, Triwarat Chutiwatkhachorachai, Navin Yavapolkul
  • Released in Thai cinemas on May 5, 2016; rated 18+
  • Wise Kwai's rating: 3/5

Yuthlert Sippapak is one of the Thai film industry's more distinctive and prolific directors. His signature move is to throw all kinds of ideas into the blender and then somehow assemble them as mostly coherent films that I have more or less enjoyed over the years.

After a bit of a hiatus, he's back at it with Buppha Arigato (บุปผาอาริกาโตะ, a.k.a. Buppha Rahtree: A Haunting in Japan).

Not only does it blend the horror, comedy and romantic-drama genres, it's also an Asian cultural mix, with a blood-and-slapstick story about a Thai musician and a film crew visiting a winter resort in Japan, where they are haunted by Japanese-style ghosts as well as the ghost of a spurned young Thai woman. I also couldn't help but feel a bit of John Carpenter vibe, with perhaps a nod to Halloween.

Additionally, it is trading on a combination of well-known Thai movies, tying in with Yuthlert's own Buppha Rahtree franchise of ghost comedy-horrors and the hit 2003 film Fan Chan (แฟนฉัน, a.k.a. My Girl). The bulk of the cast are the boys from Fan Chan, all grown up, including that film's lead actor Charlie Potjes along with the schoolyard bully, Chalermpon "Jack" Thikampornteerawong. It's the first time all the guys have been reunited onscreen since they were children.

The story follows the familiar template of the Buppha Rahtree films, which dealt with the ghost of a vengeful heartbroken young woman haunting an apartment building, and mined comedy from the colorful procession of police, priests and shamans who are recruited to perform exorcisms.

Buppha Arigato changes things up by having the action take place in a rental lodge at a picturesque Japanese ski resort. And instead of one ghost, there are several. The most lethal is a knife-wielding mother and her creepy little boy, spirits of a family who stayed in the house years before but could not pay their rent.

Meanwhile, there's a young Thai woman named Buppha who comes to the resort on a solo trip to mend her broken heart. Seems she caught her boyfriend having sex with another woman. Somehow, she has passed away but her soul is hanging on at the lodge, and is drawn to Charlie and his crew because Charlie looks a bit like her cheating ex.

The lodge's shady landlord, a Thai expat portrayed by "Tar" Navin Yavapolkul, is aware of his property's status as a haunted house, and he has various clergymen brought in to get rid of the bad spirits. Among the bumbling exorcists is a Thai Buddhist monk who is hung over after having too much beer and a sake bomb the night before. His saffron robe is accessorized by expensive sunglasses and a designer handbag, reflecting an actual controversy about a jet-setting monk in Thai religious society. Later, a Thai Hindu priest takes a crack at the spirits. Neither are successful at much except getting plenty of laughs.

So it's up to Charlie, Jack and the rest of the gang to solve the mystery of why the ghosts are haunting the place.

It's a chance for the former child actor Charlie to stretch his dramatic chops, and to show his talent as an indie singer-songwriter. He gets an extended scene during the closing credits, with a stylishly shot close up of just him, his tenor voice and acoustic guitar.

Jack, now a ubiquitous TV personality and commercial pitchman, gets to play director, heading up the film unit that is comprised of other four other now-grown child actors from Fan Chan, namely Yok Teeranitayatarn, Aphichan Chaleumchainuwong, Thana Wityasuranan, Triwarat Chutiwatkhachorachai.

There is a passing of the torch, with former Buppha Ratree actress "Ploy" Chermarn Boonyasak putting in a cameo in a limbo dream sequence, and offering guidance to new-face actress Supassara Thanachat, who takes over the role.

But the real hero of Buppha Arigato is of course Yuthlert's long-time collaborator, actor and veteran film-industry hand Adirek "Uncle" Watleela, again playing a police officer as he has throughout the franchise, and in other films. Here, he's a Japanese cop, but helpfully speaks Thai, and he comes up with an unusual way of defeating the ghosts, involving the use of an umbrella and the Thai military's infamous divining-rod-like GT-200 "bomb detector".

Also, all the guys are required to strip down to their tighty-whitie underwear briefs, so at least these young emperors have a shred of dignity.

Sunday, June 21, 2015

Review: Chalui Tae Khob Fah (Lost in Seoul)


  • Directed by Adirek Watleela and Suchart Makhawimarn
  • Starring Mek Mekwattana, Nachat Juntapun, Zuvapit Traipornworakit, Nichkhun Horvejkul
  • Released in Thai cinemas on June 4, 2015; rated 13+
  • Wise Kwai's rating: 3/5

Rags-to-riches stories of struggling musicians looking for their big break are a dime a dozen, so journeyman producer Adirek "Uncle" Watleela got a real bargain with Chalui Tae Khob Fah (ฉลุย แตะขอบฟ้า, a.k.a. Lost in Seoul), which is a remake of a movie he first did in 1988.

The original, about two country lads looking to take Bangkok by storm, is repurposed for the K-pop era, and sends the bumbling heroes from Bangkok to Seoul, where they dream of bringing Thai rock to the uptight corporate ranks of South Korea's entertainment machine. Their big inspiration is a fellow Thai, Nichkhun Horvejkul, who is famous as the Thai guy in the boyband 2PM.

The story starts off in a dream sequence with Nichkhun as a pizza-delivery guy. Uncle and co-director Suchart Makhawimarn seem to be taking their cues from Christopher Nolan as they aim to keep things as off-kilter as possible, with a rapid succession of dreams, flashbacks and sight gags to propel the action as they introduce the two lead characters – long-haired guitarist Pong (Mek "Jessie" Mekwattana) and his singer pal Tong (Nachat "Nicky" Juntapun).

Amid this rapidly moving shell-game of a comedy, one thing becomes quickly apparent – Pong and Tong are no-talent hacks. But they're nice enough fellows, and their enthusiasm makes up somewhat for their lack of finessed dance moves. But behind their earthworm-like shimmying, it's all empty – they are lipsynching to a recording, and their instruments, which are just hollow shells, are unplugged.

But it doesn't matter. Uncle, well-versed in the art of showbiz hocus-pocus, manages to keep up a breakneck level of energy. The Thai Blues Brothers continue to practice their music on their rooftop and dream of their big break, with support from their endlessly cheerful comic neighbor (Phongthep Anurat), who becomes their manager. The suspense comes from the wonder of how long can the energy be sustained, and, will these sad clowns somehow have what it takes?

Uncle, as always, can't resist inserting references to his other movies. So the boys, in their apartment decorated by a Black Sabbath vinyl clock (points added), a Good Charlotte poster (points deducted) and toilet stool for a desk chair (points added), pop a DVD into a portable player. It's Tears of the Black Tiger, the melodramatic western by Wisit Sasanatieng that Uncle co-produced. It's a scene where two male characters pray together and seal a blood bond.

And, I'm pretty sure that's the two actors from the original Chalui Tae Kob Fah (literally Touch the Sky) popping up in another scene to give the younger lads encouragement. Later on, Pong and Tong find a DVD for Yuthlert Sippapak's Chiang Khan Love Story, which Uncle produced only last year. And watch for Uncle in a cameo as a cop.

Like the movie's characters, Chalui Tae Khob Fah gets by on sheer amiability. The boys are guys you wouldn't mind hanging out with for a night, and the movie is like that too. It spends roughly half its time goofing around in Bangkok before jetting off to Seoul, and I hardly noticed an hour had gone by.

Once in Seoul, where the production values are eyepopping, the boys rapidly go through the usual succession of adventures – getting mixed up with mobsters, street hoods and bent cops. Only the Illinois Nazis are missing. They lose their money and passports and then fumble their way into another situation that leads to them making friends with colorful locals.

There's the usual succession of nods to Korean culture, which have become stock-in-trade for Thai-South Korean productions. The gold standard of these remains GTH's blockbuster romance Guan Muen Ho (Hello Stranger). Others have included Poj Arnon's Kao Rak Thee Korea (Sorry Saranghaeyo), Wisit and Michael Shaowanasai's short Iron Pussy: A Kimchi Affair for the Busan-backed Camellia and Prachya Pinkaew's Bangkok-set South Korean martial-arts comedy The Kick.

Thanks to Oldboy, we must have a wriggling octopus, and I'd be disappointed if there weren't any octopuses. But there's also Korean theater and music, thanks to a young woman named Meehwa, her mother and their friends. Of course, she turns out to be half-Thai, and can serve as the boys' translator, helping them get jobs and fast-talk their way out of sticky situations. If it seems like she's everywhere, it's because she is. It's singer-actress "Baitoei" Zuvapit Traipornworakit in a dual role as Meewha and as Bangkok neighborhood doll Tukdta. So there's enough of Baitoei to go around for both of the guys.

One convenient situation after another befalls Pong and Tong as they try to land an audition with an executive at a Korean record label who they first met on a drunken night out in Bangkok. Boyband member "Buck" Nichkhun turns up again, and agrees to help the guys, because they are fellow Thais. Because that's overseas Thai code. Or something.

Soon, we're all singing along to a street-performer backed rendition of the anthem "Arirang", complete with classical Korean instruments, a bicycle drum set and crunchy Thai rock-guitar power chords.

Chalui Tae Khob Fah is the third release for Transformation Films, the new company formed by the former Film Bangkok producer pair of Uncle and Sa-nga Chatchairungruang. Other features so far have been last year's award-winning Chiang Khan Love Story by Yuthlert and this past February's romantic comedy Single Lady Phror Khoei Me Fan, directed by Thanakorn Pongsuwan (Fireball).

Like the others, Chalui Tae Khob Fah has performed very modestly at the local box office, with earnings of 1.5 million baht in its first week, trailing far, far behind the Hollywood behemoths Spy, San Andreas, Tomorrowland and Mad Max: Fury Road. At last count, Chalui had only doubled its first week's earnings, but it remains in theaters thanks to Transformation's partnership with Major Cineplex, Thailand's biggest multiplex operator. If it were anyone else's film, it would have been booted out after a few days.

Despite iffy box-office prospects – hardly anyone in Thailand is watching Thai films these days unless they come from GTH – we'll likely be seeing more of this type of thing. Also backing Chalui Tae Khob Fah was the Korean entertainment mega-firm CJ E&M Film Division, which is separately joining up with Major Cineplex in a three-year 10-film deal for more Thai-South Korean co-productions, likely from Transformation, or the half-dozen or so other Major Cineplex-backed production companies.

See also:



Wednesday, June 3, 2015

Last Executioner, Teacher's Diary, I Fine win Tukkata Tong Awards

From left, Don Linder, Tom Waller, Katrina Grose and Vithaya Pansringarm from The Last Exectioner, winner of the best picture and best screenplay prizes. Photo courtesy of Tom Waller.

Snubbed by the Thai film industry's Subhanahongsa Awards, the cast and crew of The Last Executioner were feeling vindicated last night after winning best picture and screenplay at the 30th Surasawadee Awards (รางวัลพระสุรัสวดี) at the Thailand Cultural Center.

Put on by the Thai Entertainment Reporters Association, the long-running movie kudos also gave floral bouquets to The Teacher's Diary  (คิดถึงวิทยา, Kid Tueng Wittaya) and  I Fine ... Thank You ... Love You (ไอฟาย..แต๊งกิ้ว..เลิฟยู้). The actual awards, the Tukkata Tong (Golden Doll) statuettes, will be given out later in the year in royally appointed ceremonies.

Directed by Tom Waller and produced by Handmade Distribution, Tiger Entertainment and De Warrenne Pictures, The Last Executioner (เพชฌฆาต, Petchakat) had been nominated in six categories, including best director, best actor for "Pu" Vithaya Pansringarm, score by Olivier Lliboutry and costumes by Panyawan Nimjareanpong. The fact-based biographical screenplay by Don Linder and Katrina Grose recounted the moral and spiritual struggles of Thai prison guard Chavoret Jaruboon, who executed 55 death-row inmates with his rifle. He was the last to carry out the deadly deed with a firearm before the prison system switched to lethal injection. But he also was haunted by bad karma, which took on the form of various characters, such as David Asavonond's "spirit". The cast also included Penpak Sirikul, Jaran "See Tao" Petcharoen and Somdet Kaew-ler.

The Teachers' Diary was the leading nominee with 15 nods. In addition to best director for Nithiwat Taratorn, the GTH romantic drama about star-crossed teachers at a floating rural schoolhouse was also awarded for cinematography and art direction.

Another GTH picture, the English-tutoring rom-com I Fine ... Thank You ... Love You took the top acting prizes. It starred "Ice" Preechaya Pongthananikorn as a celebrity English-language tutor who agrees to teach a boorish factory worker (leading man Sunny Suwanmethinon) who wants to win back his U.S.-based ex-girlfriend. It had received three nominations, and in addition to the actor trophies, it was also honored for being the top-grossing Thai film of 2014.

Other honors went to the indie financial-crisis drama Concrete Clouds (ภวังค์รัก, Phawang Rak), which had 11 nominations. Apinya Sakuljaroensuk took the supporting actress prize for her brave turn as a young woman who has a fling with a woefully naive guy in a neighboring 1997 Bangkok apartment. Writer-director Lee Chatametikool was among a host of folks receiving special honors.

The supporting actor prize went to Pichaya Nitipaisankul from the Phranakorn horror omnibus Tai Hong Tai Hian (ตายโหงตายเฮี้ยน), in which he played a former monk haunted by an ex-girlfriend. The gory Tai Hong Tai Hian (I'll call it Die a Violent Death 2) also won for hair and makeup.

Three documentaries were among the honorees: The Master, about influential Bangkok bootleg video king Van VDO, with best editing; Somboon, about an elderly husband caring for his chronically ailing wife, with best song, and By the River (สายน้ำติดเชื้อ, Sai Nam Tid Shoer), about a Karen village devastated by lead-mining waste, with best score by the Karen musicians.

Animation and 3D movies were also recognized, with the animated The Story of Mahajanaka (พระมหา ชนก) winning the honor for films paying tribute to His Majesty the King. The devotional fantasy is based on a story written by His Majesty. And Five Star Production's horror omnibus 3AM 3D Part 2 was noted for its special effects and sound.

Leaving empty handed was the romantic comedy-drama Chiang Khan Story (Tukkae Rak Pang Mak, ตุ๊กแกรักแป้งมาก), which scored big at the Bangkok Critics Assembly Awards and the 12th Kom Chad Luek Awards and another leading nominee, Timeline Jodmai Khwam Songjam (Timeline จดหมาย-ความทรงจำ).

The Last Executioner cast and crew. Photo courtesy of Tom Waller.

Here are the winners in the 30th Surasawadee Awards:

  • Best picture – The Last Executioner
  • Director – Nithiwat Taratorn, The Teacher's Diary
  • Actor – Sunny Suwanamethanon, I Fine ... Thank You ... Love You
  • Actress – Preechaya Pongthananikorn, I Fine ... Thank You ... Love You
  • Supporting actor – Pichaya Nitipaisankul, Tai Hong Tai Hian
  • Supporting actress – Apinya Sakuljaroensuk, Concrete Clouds
  • Screenplay – Don Linder and Katrina Grose, The Last Executioner
  • Cinematography – Narupon Chokkanapitak, The Teacher’s Diary
  • Film editing – Nawapol Thamrongrattanarit, The Master
  • Art direction – Akradej Kaewkote, The Teacher’s Diary
  • Costumes – Phoobao Thai Baan: E-San Indy
  • Hair and makeup – Tai Hong Tai Hian
  • Score – By the River (สายน้ำติดเชื้อ, Sai Nam Tid Shoer)
  • Song – “Chan Ja Fan Tueng Ter” by Suphatra Inthonphakdi (Danu Huntrakun, composer), Somboon
  • Sound – 3AM 3D Part 2 (ตีสาม คืนสาม 3D, Tee Sam Khuen Sam Sam D)
  • Special effects – 3AM 3D Part 2
  • Most popular film – I Fine ... Thank You ... Love You
  • Buddhist film – The Story of Mahajanaka (พระมหา ชนก )
  • Lifetime achievement awards – MC Chatrichalerm Yukol, Rong Kaomoonkadee, Aranya Ngarmwong, Thanit Watrothai,
  • Rising stars: Thanapob Leeratanakajorn, Chonthida Asavahame
  • Outstanding director – Lee Chatametikool, Concrete Clouds
  • Popular actor – Sukrit Wisetkaew, The Teacher's Diary
  • Popular actress – Davika Hoorne, Plae Kao (แผลเก่า, a.k.a. The Scar)

(Via Daily News, Matichon)

Friday, March 27, 2015

Bangkok Critics award Tukkae Rak Pang Mak

Producer Adirek "Uncle" Watleela takes the microphone to accept the best film award for Tukkae Rak Pang Mak. He also took the stage to accept awards for his friend Yuthlert Sippapak. Nation photo by Tatchadon Panyaphanitkul.

The nostalgic romantic comedy Tukkae Rak Pang Mak (Chiang Khan Story) took the top prizes at the 23rd Bangkok Critics Assembly Awards (ชมรมวิจารณ์บันเทิง) on Wednesday night, winning trophies for Best Film, director, screenplay and acting.

While writer-director Yuthlert Sippapak wasn't on hand to accept his awards, the team of producers from the new shingle Transformation Films was there, among them Yuthlert's long-time collaborator, producer Adirek "Uncle" Watleela.

Released last September, Tukkae Rak Pang Mak chronicled the 20 or so years in the rocky romance of childhood friends in Chiang Khan, the rustic town on the Mekong River in Northeast Thailand's Loei province, where Yuthlert calls home. It was the first release from Transformation, which is a partnership between the producers behind the former Film Bangkok marque and Major Cineplex, Thailand's biggest multiplex operator. It performed only modestly at the box office, so the awards haul was welcomed by the Transformation team.

The actor who played Tukkae, Jirayu La-ongmanee, a former child star, repeated his success from the Thai film industry's "Oscars", the Subhanahongsa Awards. He won the prize for best actor for his portrayal of a young filmmaker who is named after a house lizard. He faces an awkward situation when his first screenplay is to be made into a movie, and producers want his former childhood crush to be the star. But she and Tukkae had a big misunderstanding.

Jirayu's co-star Kongkiat Komsiri was named best supporting actor for his turn as Tukkae's level-headed best friend. Though Kongkiat has appeared on screen before, he's better known as a director of gritty movies like Slice and Muay Thai Chaiya. Hopefully his next one, the historical action drama Khun Pan (ขุน พันธ์ ), will actually be released this year.

Another big winner was Nawapol Thamrongrattanarit's The Master, a documentary about the enigmatic Bangkok movie pirate Mr. Van, whose bootleg videos provided a generation of Thai filmmakers and critics with an education in world cinema in the days before bitorrent downloads. A colorful array of prominent directors and movie critics appear in the film, sharing their memories of Van VDO in talking-head interviews against a simple backdrop. It was named best documentary and was also awarded for film editing.

Another documentary, Nontawat Numbenchapol's By the River, about a Karen village left devastated by lead mining, won for its original score by Karen musicians.

And the GTH studio's hit romantic drama The Teacher's Diary (คิดถึงวิทยา, Kid Tueng Wittaya) took two prizes, for cinematography and art direction.

With nods in nearly every category, the leading nominee was Lee Chatametikool's 1997-set drama Concrete Clouds (ภวังค์รัก, Phawang Rak), which took the top prizes at the Subhanahongsa Awards. At the Bangkok Critics Assembly Awards, it ended up with just one trophy, for best supporting actress for Apinya Sakuljaroensuk.

Lee was also among the nominees for the Critics Young Filmmaker Awards, which were introduced last year. Perhaps the Bangkok Critics were confused, since Concrete Clouds was Lee's first feature as a director, and while he's still a relatively young man, he's been overseeing award-winning editing and post-production for indie and commercial features in Bangkok for more than a decade.

Other Young Filmmaker nominees included Vorakorn Ruetaivanichkul, director of Mother, Chonlasit Upanigkit, director of W., and Krisada Tipchaimeta who made Somboon, all first features from rookie filmmakers. The prize went to Uten Sririvi and Jinnaphat Ladarat, who made the indie country comedy Phoobao Thai Baan E-San Indy (ผู้บ่าวไทบ้าน อีสานอินดี้, or simply PBTB), which caused something of a stir when it was first turned down by Bangkok multiplex operators but became a box-office hit in Thailand's rural Northeast.

There's more on the ceremony in a story in The Nation today.


  • Best Film: Tukkae Rak Pang Mak (Chiang Khan Story).
  • Director: Yuthlert Sippapak, Chiang Khan Story
  • Screenplay: Yuthlert Sippapak, Chiang Khan Love Story
  • Actor: Jirayu La-ongmanee, Chiang Khan Story
  • Actress: Sucha Manaying, The Couple (รัก ลวง หลอน, Rak Luang Lon)
  • Supporting actor: Kongkiat Komesiri,  Chiang Khan Story
  • Supporting actress: Apinya Sakuljaroensuk, Concrete Clouds
  • Cinematography: Narupon Chokkanapitak, The Teacher’s Diary
  • Film editing: Nawapol Thamrongrattanarit, The Master
  • Original song: “Jaikhwam Samkhan” by the Musketeer, from Rak Mod Kaew (รักหมดแก้ว, a.k.a. Love on the Rock)
  • Original score: By the River
  • Art direction: Akradej Kaewkote, The Teacher’s Diary
  • Best documentary: The Master
  • Young Filmmaker Award: Uten Sririvi, Jinnaphat Ladarat, Phoobao Thai Baan: E-San Indy
  • Lifetime Achievement Award: Somsak Techaratanaprasert, producer, and Amara Asavanond, actress
  • Box Office Award: I Fine ... Thank You ... Love You

Thursday, February 26, 2015

Lav Diaz, The Raid 2 among Asian Film Awards nominees



Demonstrating that it helps if you kick ass, Filipino auteur Lav Diaz and the Indonesian martial-arts film The Raid 2: Berandal will represent Southeast Asia at the ninth Asian Film Awards, which have once again not included any Thai films among its nominees.

Indie-cult helmer Diaz is among the best director nominees for his latest opus, From What Is Before (Mula sa Kung Ano ang Noon), which examines the profound social tattering of a village under martial law during the Marcos regime. The four-hour drama premiered in competition at last year's Locarno fest, where it won the top-prize Golden Leopard.

And the impressionist action film The Raid 2: Berandal is nominated twice, best cinematography for Matt Flannery and Dimas Imam Subhono and best editing for Gareth Evans (who also directed and made it snow in Jakarta). One-upping 2011's The Raid at every turn, in terms of scope, fight scenes, stunts and characters, The Raid 2 follows a young butt-kicking police officer (no-nonsense leading man Iko Uwais) as he takes an undercover assignment as a prison inmate. His job is to infiltrate an underworld mob that has tentacles reaching all the way to the top of the police force.

Announced yesterday, the leading nominee for the ninth Asian Film Awards is Hong Kong director Ann Hui's The Golden Era, including best director and best actress for Tang Wei.

Other best director nominees are China's Lou Ye for Blind Massage, Japan's Shinya Tsukamoto for Fires on the Plain, India's Vishal Bhardwaj for Haider and South Korea's Hong Sang-soo for Hill of Freedom.

And the Best Film nominees are China's Black Coal, Thin Ice and Blind Massage, South Korea's Hill of Freedom and Ode to My Father, Japan's The Light Shine Only There and India's Haider. Variety and Film Business Asia break it down.

As with past editions of the Asian Film Awards, most of the nominees hail from China, followed by Hong Kong/Mainland co-productions, then South Korea, Japan and India.

Thailand has been shut out of the past couple editions of the Asian Film Awards, last appearing in 2012, when the Rashomon remake U Mong Pa Mueang and Pen-ek Ratanaruang's hitman drama Headshot were up for prizes. Thai composer Chatchai Pongpraphan came away a winner for his work on the Donnie Yen martial-arts drama Wu Xia.

Another good year was 2010, when Lee Chatametikool won best editing on the Malaysian indie Karaoke, and Apichatpong Weerasethakul's Cannes-winning Uncle Boonmee Who Can Recall His Past Lives was named Best Film in 2011.

But looking at the nominees this year, I can start to see a pattern of sorts. Thailand had some well-regarded commercial hits last year, such as the GTH romances The Teacher's Diary and the blockbuster I Fine ... Thank You ... Love You or Yuthlert Sippapak's Tukkae Rak Pang Mak, but I can't quite see those going into a dark Macau alley with Lav Diaz or the boys from The Raid 2, or even the Chinese entries Black Coal, Thin Ice or Blind Massage. They'd get clobbered.

Best chance for Thailand at the Asian Film Awards might have been with past-winner Lee's feature directorial debut Concrete Clouds, which had many strong points, especially its cast. The scrappy indie student film W. might have fit in there somewhere as well, especially for editing. Another possibility might have been Uruphong Raksasad's award-winning documentary The Songs of Rice, which could have been a contender in the editing and cinematography categories. But, being a documentary, it's off the radar for the awards. Perhaps it's time to add a documentary category, hmm?

The Asian Film Awards are set for March 25 in Macau.

Tuesday, February 3, 2015

Teacher's Diary is top Subhanahongsa nominee


Nominees for the 24th Subhanahongsa Awards have filtered out.

The top nominee is The Teacher’s Diary (คิดถึงวิทยา, Kid Tueng Wittaya), the hit GTH romantic drama. With 13 nods in all, it's up for Best Picture and screenplay, as well as actor and actress.

Other Best Picture nominees are GTH's blockbuster comedy I Fine Thank You Love You, Lee Chatametikool's indie romance Concrete Clouds (ภวังค์รัก, Phawang Rak), Yuthlert Sippapak's comeback Chiang Khan Story (Tukkae Rak Pang Mak, ตุ๊กแกรักแป้งมาก) and Plae Kao, a new adaptation of a Thai literary classic.

Reflecting the indie Thai trend in documentaries, a new category has been added. It has three nominees, Somboon by Krisada Tipchaimeta, By the River (สายน้ำติดเชื้อ, Sai Nam Tid Shoer) by Nontawat Numbenchapol and The Master by Nawapol Thamrongratanarit.

Voting for the winners is under a new complicated new process instituted last year. The Nation has more on that.

BEST PICTURE

  • Kid Tueng Wittaya (The Teacher’s Diary)
  • I Fine Thank You Love You
  • Phawang Rak (Concrete Clouds)
  • Plae Kao (The Scar)
  • Tukkae Rak Pang Mak (Chiang Khan Story).

DIRECTOR

  • Yuthlert Sippapak, Chiang Khan Story
  • ML Bandevanop Devakula, The Scar
  • Lee Chatametikool, Concrete Clouds
  • Mez Tharatorn, I Fine Thank You Love You

SCREENPLAY

  • Nithiwat Tharatorn, Thosaphol Thiptinnakorn, Suppalerk Ningsanon, Sophana Chaowiwatkool, The Teacher’s Diary
  • Yuthlert Sippapak, Chiang Khan Love Story
  • Lee Chatametikool, Concrete Clouds
  • Boongsong Nakphoo, Wangphikul (Village of Hope)
  • Mez Tharatorn, Chaiyaphruek Chalermpornpanich, Benjamaporn Sa-bua, I Fine Thank You Love You

ACTOR

  • Sukrit Wisetkaew, The Teacher’s Diary
  • Jirayu La-ongmanee, Chiang Khan Story
  • Sunny Suwanmethanon, I Fine Thank You Love You
  • Chaiyapol Julien Poupart, Plae Kao
  • Ananda Everingham, Concrete Clouds

ACTRESS

  • Preechaya Pongthananikorn, I Fine Thank You Love You
  • Davika Hoorne, Plae Kao
  • Jarinporn Joonkiat, Jodmai Khwam Songjum (Timeline)
  • Chermarn Boonyasak, The Teacher’s Diary
  • Janesuda Parnto, Concrete Clouds

SUPPORTING ACTOR

  • Nopachai Jayanama, Timeline
  • Natpat Nimjirawat, Chiang Khan Story
  • Pongpat Wachirabanjong, Plae Kao
  • Prawith Hansten, Concrete Clouds
  • Popetorn Sunthornyanakij, I Fine Thank You Love You

SUPPORTING ACTRESS

  • Apinya Sakuljaroensuk, Concrete Clouds
  • Piyathida Worramusik, Timeline
  • Chanikarn Tangabodi, Chiang Khan Story
  • Sinjai Plengpanich, Plae Kao
  • Marsha Wattanapanich, Rak Mod Kaew (Love on the Rock)

CINEMATOGRAPHY

  • Narupon Chokkanapitak, The Teacher’s Diary
  • Somkid Phukpong, Chiang Khan Story
  • Panom Promchat, Plae Kao
  • Jarin Pengpanich, Concrete Clouds
  • Pramate Charnkrasae, Hong Hoon

FILM EDITING

  • Thammarat Sumethsupachok, Pongsakorn Chanchalermchai, The Teacher’s Diary
  • Chonlasit Upanigkit, W
  • Thawat Siripong, Chiang Khan Story
  • Lee Chatametikool, Kamontorn Ekwatanakij, Concrete Clouds
  • Thammarat Sumethsupachok,  Thanasak Yanajan, I Fine Thank You Love You

ORIGINAL SONG

  • Mai Tang Kan by 25 Hours, The Teacher’s Diary
  • Yak Hak by Koo Kaen Band, Phoobao Thai Baan: E-San Indy
  • Jaikhwam Samkhan by Musketeer, Love on the Rock
  • Golden Shower Bloom by Karen musicians of Klity village, By the River
  • Walk You Home from I Fine Thank You Love You

SOUND MIXING

  • Kantana Sound Studio, The Teacher’s Diary
  • Richard Hocks, Rak Luang Lorn (The Couple)
  • Kantana Sound Lab, Timeline
  • Kantana Sound Studio, Plae Kao
  • Kantana Sound Studio, The Swimmers

ORIGINAL SCORE

  • Chatchai Pongprapapan, Timeline
  • Hualampong Riddim, The Teacher’s Diary
  • Origin Company, Chiang Khan Story
  • Piti Kayoonpahn, The Scar
  • Hualampong Riddim, I Fine Thank You Love You

ART DIRECTION

  • Akradej Kaewkote, The Teacher’s Diary
  • Patrick Meesaiyati, Plae Kao
  • Khacha Ruanthong, Chiang Khan Love Story
  • Ekkarat Homla-or, Concrete Clouds
  • Siranat Ratchusanti, Hong Hoon

COSTUME DESIGN

  • Suthee Muanwaja, The Teacher’s DIary 
  • Siriwan Karnchoochor, Chiang Khan Love Story
  • Suthee Muanwaja, I Fine Thank You Love You
  • Athit Thriakittiwat, Plae Kao
  • Cattleya Paosrijaroen, Concrete Clouds

MAKEUP

  • Pichet Wongjansom, The Swimmers
  • Panparit Suvanaprakorn, Kyu Kittichon Kunratchol (QFX Work Shop), The Eyes Diary
  • Montri Watlaiad, Plae Kao
  • Sirirat Jamfa, Hong Hoon

VISUAL EFFECTS

  • Exhabition, The Swimmers
  • The Post Bangkok, Sming
  • The Renegade V Effect, Hong Hoon
  • Oriental Post,  The Teacher’s Diary
  • Nonzee Nimibutr, Timeline

DOCUMENTARY

  • The Master
  • Somboon
  • By the River

The awards ceremony is set for March 1 at the Thailand Cultural Center, where veteran action star Sombat Metanee will be honored with the Lifetime Achievment Award.

Sunday, September 14, 2014

Review: Tukkae Rak Pang Mak (Chiang Khan Story)


  • Directed by Yuthlert Sippapak
  • Starring Jirayu La-ongmanee, Chonthida Asavahame
  • Released in Thai cinemas on August 28, 2014; rated 15+
  • Wise Kwai's rating: 3/5

Yuthlert Sippapak pays homage to his roots with the partly autobiographical romantic comedy Tukkae Rak Pang Mak (ตุ๊กแกรักแป้งมาก, a.k.a. Chiang Khan Story.

Spanning 20 years from the 1970s to the '90s in the Mekong River town of Chiang Khan in Yuthlert's home province of Loei, it's the story of childhood friends, the poor little orphan boy with the odd name of Tukkae (after the large chirping house lizard that's believed be a bad omen) and the wealthy girl Pang. They later grow apart, but are forced back together by circumstances that only happen in romantic comedies.

The first half of the movie, featuring a cast of child actors, is energetic, sweet and nostalgic, weaving in memories of 4-baht wooden cap guns with the rubber-band action, the then-newfangled foreign treat of jellybeans and GAF Viewmasters.

Tukkae and Pang take to hanging around the town's wooden shophouse cinema. It's during a magical time when such Thai cinema classics as Sombat Metanee's gritty actioner Chumpae is playing alongside Payut Ngaokrachang's animated triumph The Adventures of Sudsakorn and Sompote Sands' insane Hanuman vs. 7 Ultraman.

The kids are mentored by the theater's poster painter, played by Yuthlert's longtime collaborator "Uncle" Adirek Watleela. His character Pong Poster is a heartfelt tribute to still-living 1970s' director Piak Poster, who started out as a poster artist, as well as Uncle's late Buppa Rahtree co-star, character actor and production designer Bunthin Thuaykaew.


Tukkae, always on the defensive because of his funny nickname and his status as a poor orphan kid, seeks to play with the gang of chubby boys who always bully him. In lively action scenes, they blast away with their cap guns while wearing Red Eagle masks, like Mitr Chaibancha. And Tukkae accepts a dare that drives Pang out of his life, seemingly forever.

Flash forward a few years to Bangkok, Tukkae is a comic-book artist with aspirations of getting in the movie business. He's partnered up with a level-headed and experienced film hand, amiably played by Slice director Kongkiat Khomsiri, one of several film industry hands in the cast. In another scene, Thanit Jitnukul (Bang Rajan) turns up as a producer. He can't believe Tukkae doesn't know what a "treatment" is.

The guys are tasked with making a Mae Nak "liverscape" movie by a hilariously marble-mouthed B-movie producer who sees nothing wrong with moving the famous ghost story from Phra Khanong to Chiang Khan. Tukkae has other ideas, and he writes an "untitled" screenplay that is basically his life story, with a focus on his relationship with Pang.


The implausibilities stack up as Tukkae encounters Pang by chance in a Bangkok disco, and she doesn't remember him at all. In fact, nobody from Tukkae's old school remembers what anybody looks like. But this is, refreshingly, before Facebook and selfies, so I suppose the disbelief can be suspended somewhat. Mistaken identities and misunderstandings add to Tukkae's woes as Pang wakes up in Tukkae's bedroom and doesn't recognize Tukkae or any of his stuff (not even the Viewmaster she gave him).

But the two are thrown together anyway when Pang, now a famous actress, is cast for the role in Tukkae's movie. Awkwardness ensues on the set as Pang is confronted with the guy she only recognizes from that bad night out. She doesn't realize it's her old childhood friend, nor does she seem aware that he actually wrote the screenplay for the movie she's in.

The energy and sweetness of the movie's first half gives way to a wallowing slackness that's struggling to find an ending. It's not helped by the rather wooden performances by Kao Jirayu and Pleng Chontida. Kao, a former child actor with many credits, has better chemistry in later scenes with his character's dementia-addled grandmother who raised him. Pleng, the celebrity offspring of singer Nantida Kaewbuasai and scandal-plagued politician Chonsawat Asavahame, is making her screen debut, but seems to let a curly hairstyle and aviator sunglasses do all the work for her.


The supporting cast, especially the Tukky-type actress who plays Pang's best friend and manager, help to liven things up. She is friends with soldiers at the local army base, and they turn up on command to dish out beatings to anyone getting on her wrong side. Boriboon Chanruang portrays a director who spent so long in New York he's forgotten to speak Thai. He becomes Tukkae's chief rival in romancing Pang.

Yuthlert seems to have suppressed his infamous genre-jumping tendencies in an effort to make what he's called his first romantic comedy, though melodrama, horror and slapstick all creep their way in, just not as much or as often as his past films.

Tukkae Rak Pang Mak also marks a comeback of sorts for Yuthlert, who has done more than a dozen films over around half as many years up until a year or so ago. However, his last effort, the potentially controversial Deep South drama Fatherland (ปิตุภูมิ พรมแดนแห่งรัก, Pitupoom) was yanked from release by the film's producer. So Yuthlert retreated to Loei to regroup.

His new film is the first release from a new studio, Transformation Films, which is a joint venture of M Pictures, Bangkok Film Studio (formerly Film Bangkok), True I-Content and Matching Studio.

Box-office performance for Tukkae has been middling, with 12.7 million baht in earnings at last count, but hopefully the company will soldier on and perhaps give one of Thai cinema's most distinctive voices yet another chance to tell his stories.

See also:








Tuesday, April 30, 2013

Yuthlert gives up hope on Fatherland

While opponents of film censorship in Thailand chalked up a rare victory with the recent banning and unbanning of the Thai-Cambodian border documentary Boundary, it appears the fight has been lost on another politically sensitive film, Yuthlert Sippapak's Deep South action-drama Fatherland (ปิตุภูมิ พรมแดนแห่งรัก, Pitupoom).

The Thai social media was buzzing yesterday after Yuthlert posted a cryptic message on Facebook, translated as: "It's certain now that Thais will not be able to watch this film. Thank you." He signed off with a frowny-face emoticon.

Yuthlert's comments led to stories in the Thai mass media, including Thai Rath and Prachachat.

According to a story in The Nation, it appears that the backer of Fatherland has gotten cold feet and decided not to release the drama, which deals with the complex issues of separatist violence in Thailand's Muslim Deep South. The matter is especially sensitive right now, due to embattled peace talks that have just started between the Thai government and a small faction of the insurgents.

Long in the works, production was wrapped on Fatherland last August. Trailers surfaced (embedded below) and posters were made. It was penciled in for release last December, but never materialized.

Fatherland was highly anticipated, thanks to its popular stars, leading man Ananda Everingham, plus actor "Wier" Sukolwat Kanaret and Pee Mak Phra Khanong starlet "Mai" Davika Hoorne. Appetites were further whetted with slick-looking production stills.

The film, which captures the problems in southern Thailand through the eyes of two police officers and a female Muslim scholar, looked to be yet another serious shift for Yuthlert, a prolific director who is famous for his frequent genre-jumping but is mainly known for his action and horror comedies, Killer Tattoo and the Buppha Ratree series. His more recent films, the hitman films Saturday Killer and Friday Killer, have been more serious in tone while still retaining many comedic elements and starring noted comedians.

The case of Fatherland not being released is made murky by the fact that it hasn't been submitted to the censorship board for rating. So it's not banned, officially. Instead, it appears to be a case of self-censorship by the film's backers who fear it's not liable to be approved for release because it deals with issues that are too politically sensitive.

The Nation story included comments by film critic and blogger Wiwat Lertwiwatwongsa, better known as Filmsick:

"This is a society that just doesn’t want to debate. Something is missing in our [social] structure."

“Maybe they just want to ‘play safe’ by not screening it,” he said, adding that he had heard some movie theatres were reportedly reluctant as well.

“In the end it has crippled [society], because now everyone engages in self-censorship, which is an indicator that we are not free. This a problem that is very difficult to solve.”

Read the rest of the article for more comments.


Wednesday, January 9, 2013

2013 preview: More Mae Nak, Pen-ek on politics, Adam Yukol's debut and Film Bangkok from the ashes

The first still from Banjong Pisanthankun's Pee Mak Phra Khanong.

The Nation yesterday detailed 2013's coming attractions from the Thai film industry, with highlights including a new take on the "Mae Nak Phra Khanong" ghost story, the resurrection of the old Film Bangkok studio, Pen-ek Ratanaruang's political documentary Paradoxcracy and the debut feature from Chalermchatri "Adam" Yukol, son of MC Chatrichalerm Yukol.

Banjong Pisanthanakun, half of the Shutter/Alone director duo, is making Phee Mak Phra Khanong, which will offer a fresh take on the ghost story that's been made into dozens of movies before. This time, it'll be from the perspective of the husband Mak and his buddies. Mario Maurer stars, marking his first feature with the GTH studio. The rest of the cast includes the hilarious quartet of actors from Banjong's entertaining comedy segments in GTH's Phobia horror compilations.

Adam Yukol makes his debut with the action-drama Tamruad Peun Hode starring Somchai Khemklad and Piyathida Worramusik. I spoke with Adam about this project months ago and he said he aimed to get back to gritty social-realism of his father's films of the 1970s and '80s.

Meanwhile, the elder Yukol is still at work on the fifth and final installment of the King Naresuan historical saga. It was penciled in on the calendar for December 5, but never materialized. Look for it on the next auspicious date on the calendar and then the next and so on until it actually appears. Chatrichalerm then hopes to move on to another epic, an adaptation of Phet Phra Uma, a beloved series of genre-jumping sci-fi jungle adventure novels from the 1960s that spanned 48 installments. The possibilities with that are limitless.

Following his 2011 hitman thriller Headshot, Pen-ek said he wanted to do a documentary on Thailand's messed-up politics, and he's done just that. Prachathipatai, a.k.a. Paradoxcracy, is expected to have a limited release on February 7, most likely at the Apex cinemas in Siam Square.

Taweewat Wantha returns to the scene on January 31 with Thongsuk 13 (ทองสุก 13), an island horror tale. It doesn't look to be reaching the same insane heights of his stylish and funny zombie comedy SARS Wars or the sci-fi weirdness of The Sperm, but it's a welcome return nonetheless and it's the first project from a new studio, Wave Pictures, run by the Maleenont family of BEC-Tero fame.

The roots of Wave Pictures go back to the old Film Bangkok marque that was run in the late 1990s and early 2000s by Adirek "Uncle" Watleela and Sa-nga Chatchairungraung. They produced such now-classic films as Tears of the Black Tiger, Bang Rajan, Bangkok Dangerous and SARS Wars. Word is that Tears of the Black Tiger director Wisit Sasanatieng has found a home at Wave Pictures, which is also developing projects by Yuthlert Sippapak and Kongkiat Komsiri.

Kongkiat, meanwhile, is also at work for Sahamongkol on a follow-up to last year's gangster drama Antapal. It's a historical action drama called Khun Phan, featuring a pistol-toting hero on horseback. It looks like a western.

Sahamongkol's other big tentpoles this year include part two of ML Bhandevenop Devakula's erotic epic Jan Dara, due out on February 7, and Tom-Yum-Goong 2 (more on that in a minute).

With Mario pasting on a moustache as he continues in the lead role in Jan Dara, part two of the 1930s-set family sex drama will likely be rated 20-, signalling that it will be even more explicit than last year's Rated 18+ Jan Dara: The Beginning.

Also at Sahamongkol, fans who have been waiting and waiting for the 13: Game of Death sequel 14 Beyond will have to wait and wait even longer. According to The Nation, director Chookiat Sakveerakul has again sidelined the big-budget thriller in favor of a smaller, more personal project, Krian Fiction, about high-school life.

Yuthlert's long-awaited Southern Thailand action drama Pitupoom, a.k.a. Fatherland, seems likely to be released this year. The handsome-looking film marks yet another genre shift for the prolific director, and it features Ananda Everingham among the stars.

Another big project is the new adaptation of Koo Kam by director "Leo" Kittikorn Liawsirikul. It looks to be the most ambitious effort yet by the newish studio M-Thirtynine. The tale of star-crossed romance takes place during World War II, with a Japanese officer falling in love with a fiercely independent young Thai woman. Small-screen heartthrob Nadech Kugimiya stars as the Japanese soldier.

And venerable studio Five Star Production will continue its exclusively 3D horror direction with The Second Sight, plus another installment of 3 A.M. shorts in 3 A.M.: The Second Night. I can hardly wait for Twitch's Asian honcho James Marsh to feast his eyes on those.

Finally, regarding the film festival scene, a much-rumored fest for Pattaya apparently won't materialize this year. However, there will likely be a second edition of the Hua Hin International Film Festival, possibly around mid-year. Attention organizers: The sooner you announce, the sooner everyone can make plans to be there and, you know, actually watch some films. However, you can count on the 11th World Film Festival of Bangkok taking place in November.

Wednesday, August 1, 2012

Review: Heaven and Hell (Wong Jorn Pid)


  • Directed by Yuthlert Sippapak and Tiwa Moeithaisong
  • Released in Thai cinemas on July 12, 2012; rated 18+
  • Wise Kwai's rating: 3/5

Yuthlert Sippapak is renowned for his penchant for mixing genres in his films. And he can't restrain himself from leaping from suspense to comedy to drama and back again to suspense even in a short film. His crazy genre-bending yields mixed results in Heaven and Hell (Wong Jorn Pid, วงจรปิด), a trio of "found footage" horror shorts purportedly taken from security cameras.

Here, Yuthlert collaborates with Tiwa Moeithaisong, who's been his cinematographer on his past several features. Yuthlert directs two of the segments, while Tiwa chips in with one.

It's Tiwa's segment, Ghost Legacy, that opens the movie. And it's the most stylish of the trio, processed in black and white and given a grainy appearance. Apart from the sophisticated angles, which are explained anyway, it really does look like it came from a security cam. It sounds like security camera footage too – it's a "silent" film, with spooky sound effects and intertitles for the dialogue

The action takes place in a creepy old mansion where a pair of Siamese twins are visiting. Apparently, their grandfather has died and they are there to hear his last will and testament. The timeline jumps all over the place, and mainly focuses on a corrupt plainclothes police detective investigating murders in the mansion, but what he's really looking for is a cache of gold. Of course, the ghosts in this mansion have other ideas.

Yuthlert's segments do away with the silent-film treatment, switching to sound and color. They also reveal the ultra-low budget of the project, with ghosts and ghouls in obvious makeup and low-tech effects. But that only makes it more fun.


Heaven 11 takes place in a convenience store, where three clerks have been killed. A policeman – Yuthlert's long-time cop and partner-in-crime Adirek "Uncle" Wattleela – is overseeing the scene and letting in a comical pair of security camera technicians in. While the technicians are working, they find the ghosts of the clerks on the closed-circuit screens and are freaked out.

Next, a young woman in a school uniform arrives to work at the store, which it turns out her father owns. She's going through a break-up with her boyfriend, and is working her iPhone to talk to her friends while she finds herself haunted by the ghosts, one of which hung herself above the cashier's counter. And it seems like the hanged woman's spirit is trying to get others to follow her.

Heaven 11 is the most uneven and confusing of the segments. The annoying shrieking schoolgirl doesn't help. The arrival of another clerk, who appears to be a zombie, is actually a relief.

The comical security camera technicians reappear in the last segment, Hell No. 8, where they are servicing the camera in a scuzzy, broken-down elevator that's haunted by the ghost of a woman who was fatally stabbed. The elevator only travels from the first floor to the eighth floor, and all men who get in the elevator are haunted by the violent female ghost – women are immune from the scary spirit.

There's plenty of laughs as the ghost girl jumps back and forth in front of the elevator door, in and out of the frame, to frighten the occupants inside the lift.

As scattershot Heaven and Hell is in terms of style and genre, there's an overarching theme of feminism, with strong female roles in Yuthlert's segments – the girl ghosts get their revenge.


Related posts:


Thursday, July 12, 2012

Security cameras reveal the horrors of Yuthlert's and Tiwa's Heaven and Hell

For his past several films, genre-hopping director Yuthlert Sippapak has been collaborating with talented cinematographer Tiwa Moeithaisong.

Now the two team up to direct  Heaven and Hell (Wong Jorn Pid, วงจรปิด), an omnibus of shorts that join the trend of fake "found footage" movies.

The project sees Yuthlert, the prolific director of the Buppa Rahtree ghost-thriller franchise, return to the horror genre. Hopefully, he and Tiwa, who himself directed the controversial-but-stylish cannibalism thriller Meat Grinder, will bring something fresh to the now tiresome "found footage" genre with the scary tales that purport to be captured from security cameras in three places: a broken-down elevator (Hell No. 8), a convenience store (the cheekily named Heaven 11) and a creepy old house (Ghost Legacy).

In Thai cinemas today, it's released by Phranakorn, and there's already a push for international sales with the release of an English-subtitled trailer, embedded below.

Meanwhile, the always-busy Yuthlert has the terrorism tale Fatherland, in the works, starring Ananda Everingham, and I'm wondering if he's finished his Meu Puen Three Pak trilogy of hitman films that team veteran comedians with pretty actresses. After the pretty good Saturday Killer and the even better Friday Killer, left hanging is Sunday Killer.



Monday, May 7, 2012

Industry to celebrate at Cannes Thai Night

Apichatpong's Mekong Hotel screens on May 18.

With the only Thai film in the Cannes Film Festival's official selection, Mekong Hotel by Apichatpong Weerasethakul, screening on May 18, the Thai film industry and government officials want to celebrate with their annual Thai Night, set for that Friday night in the Grand Salon at the InterContinental Carlton Cannes.

More about the function is explained in the press release that follows:


Presided over by Her Royal Highness Princess Ubolratana Rajakanya Sirivadhana Barnavadi, Thai Night 2012 will be the occasion to celebrate another banner year for Thai cinema.

Palme d'Or winner Apichatpong Weerasethakul is back in the official selection with Mekong Hotel.  Also present in Cannes this year is an eclectic new wave of Thai filmmakers who will be showcasing their work at the International Film Market.

Meanwhile, Thailand is cementing its position as one of the most popular filming destinations in Asia. Over the past 15 months, a record 798 foreign productions were filmed in Thailand, including feature films such as Luc Besson's The Lady and Nicolas Winding Refn's Only God Forgives starring Ryan Gosling.

The country's beautiful sceneries and low production costs are not the only reasons for Thailand's growing appeal as a filming location. Thailand now offers among the most skilled and experienced film personnel and technical services available in Asia, from production crews to post-production services, animation and visual effects.

Taking note of the potential of Thailand's film sector, the Royal Thai Government has recently announced new incentives for foreign productions, including full income tax exemption for foreign actors.

All this and more will be at the centre of Thai Night 2012 – Where Films Come Alive, a reception organized by the Department of International Trade Promotion (DITP), Thai Ministry of Commerce.

Attended by Senior Thai Government officials, business leaders and members of the film and entertainment industry, the reception will offer international film professionals and the media an opportunity to meet and greet the Thai filmmakers and talent present in Cannes and forge new ties with the Thai film industry.

Attendance at this event is by invitation only.

To request an invitation, please contact ThaiNightCannes2012 [at] gmail.com.

Apichatpong is expected to be a guest that night.

Market screenings will include Yuthlert Sippapak's hitman drama Friday Killer, the lesbian romance She, the Five Star horror Dark Flight 3D, something called Spirits Wars and a couple of computer-animated features,  Echo Planet 3D and Sahamongkol's Yaak.

Tuesday, April 10, 2012

Laddaland, Headshot top nominees for 21st Subhanahongsa Awards


The Thai film industry's equivalent of the Oscars, the 21st Subhanahongsa Awards, a.k.a. the Thailand National Film Awards (รางวัลภาพยนตร์แห่งชาติ สุพรรณหงส์) are set for April 29 at the Siam Pavalai theater at Paragon Cineplex.

The top nominee is GTH's psychological-ghost thriller Laddaland, a tale of family dysfunction in a haunted housing development. It scored 14 nominations across the 16 categories, including Best Picture, Best Director for Sophon Sakdaphisit and Best Screenplay, as well as Best Actor, Actress and Supporting Actress for Saharat Sangkhapreecha, Piyathida Worramusik and Suthatta Udomsilp.

Pen-ek Ratanaruang's Headshot (Fon Tok Kuen Fah), which has been the big winner at other Thai film awards this season, has 12 nominations, including Best Picture for Local Color, Best Director and Best Screenplay. "Peter" Noppachai Jayanama is a nominee for Best Actor for his portrayal of a hitman who sees everything upside down.

Up for eight awards is Pumpuang (The Moon), the biopic on the tragic life of the late luk thung singer Pumpuang Duanchan. It's up for Best Picture and Best Screenplay as well as Best Actress for Paowalee Pornpimol, making her big-screen debut, and Supporting Actor for Nattawat Sakidjai.

U Mong Pa Mueang (The Outrage), ML Bhandevanop Devakula's lavish adaptation of Akira Kurasawa's Rashomon, scored seven nominations, mainly in the techical categories, such as cinematography, score, production design and costumes. Radklao Amaradit is up for best supporting actress for her scene-stealing turn as the medium who channels the spirit of a dead nobleman in a mountaintop murder trial.

Also with seven nods is M-Thirtynine's 30 Kamlung Jaew, including Best Director for Somjing Srisuparb, Best Screenplay, Best Actor for Phuphoom Pongpanu and Best Actress for "Aum" Patcharapa Chaichuea.

The monastic mystery thriller Mindfulness and Murder got five nominations, including Best Picture and Best Director for Tom Waller, whose De Warrenne Pictures has produced such movies as Soi Cowboy and The Elephant King. Mindfulness is also nominated for Best Screenplay, Best Actor for Vithaya Pansringarm and Best Supporting Actor for "Kuck" Wannasak Sirilar.

Also with five nominations is the traditional-dance drama Kon Khon, including supporting actor and actress nominations for Nirut Sirichanya and Pimolrat Pisalayabuth. Though it was panned critically, Kon Khon was the Thai film industry's official submission to the Oscars.

GTH’s teen-oriented box-office blockbusters Top Secret Wairoon Pun Lan (The Billionaire) and Suckseed Huay Khun Thep have three nods apiece including Best Director for Songyos Sugmakanan for Top Secret and Top Secret's Somboonsook “Piak Poster” Niyomsiri competing with his co-star Patchara Chirathiwat who's a supporting-actor nominee for Suckseed.

Also scoring three nominations is Yuthlert Sippapak's hitman thriller Friday Killers (Mha Kae Untarai), including a best-actor nod for veteran comedian Thep Po-ngam for his solidly dramatic performance as an ageing gunman.

Indie studio Pop Pictures scored two nominations for a pair of fixtures from the festival circuit that saw commercial releases in Thailand last year: Sivaroj Kongsakul’s Tee-Rak (Eternity), which is up for Best Picture, and Aditya Assarat’s Hi-So, which got a nod for Best Cinematography by Umpornpol Yugala.

Other nominees are Gangcore Gud, 30+ Sode on Sale, Sop Dek 2002, Bangkok Sweety, Panya Reanu, Rak Jad Nak (Love, Not Yet) and Khob Khun Thee Rak Kan (Loving Me, Loving You).

This year, the lifetime achievement award goes to a veteran actor-director Adul Dulyarat, perhaps best known internationally for his role as an elderly, dying court musician who tells his life story in 2004's The Overture.

Here's the list of nominees:

Special effects

  • Fat Cat Ltd., Gancore Gud
  • Magic Wand, Laddaland
  • Kantana Animation, Headshot
  • Artaya Boonsoong, The Outrage


Make-up

  • Thanawutthi Busamsai, Thitirat Chueamueangphan, Gancore Gud
  • Pugij Yiamchavee, Natchanan Kitikriengkrai, Koh Khon
  • Pichet Wongjansom, Laddaland
  • Phatthira Phuthisuraset, Headshot
  • Montri Wadia-Iad, The Outrage


Costumes

  • Thonsan Aiyaretkon, Panya Reanu
  • Ekasith Meeprasertsakul, Pumpuang
  • Watsana Benchachat, Laddaland
  • Visa Kongka, Headshot
  • Noppadon Techo, The Outrage


Production design

  • Dusit Yapakawong, Thiranan Chanthakhat, Pumphuang
  • Wuttinun Sujaritpong, Laddaland
  • Wittaya Chaimongkol, Headshot
  • Phattharik Misaiyat, Niti Samittasing, The Outrage
  • Nopphadot Arkart, 30 Kamlung Jaew


Score

  • Chesata Sukkhathramon, Chaiyoot Tosa-nga, Ratchasak Rueangchai, Kon Khon
  • Hualampong Riddim, Laddaland
  • Vichaya Vatanasapt, Headshot
  • Chatchai Pongprapaphan, The Outrage
  • Vichaya Vatanasapt, Hualampong Riddim, 30 Kamlung Jaew


Song

  • "Hon Huay Day ”, Panya Reanu
  • “Man Kong Pen Kwam Rak”, "Stamp" Apiwat Euthavornsuk, 30 Kamlung Jaew
  • “Meua Wan Wayla Kong Rao Map Mjop Gan”, Prapat Chonsaranon, Chakphat Iamnun, 30+ Singles on Sale
  • “Sapawa Ting Tua”, "Dan" Worrawech Danuwong, Bangkok Sweety
  • “Tum Yoo Nai Jai”, SuckSeed


Sound

  • Sunij Asavinikul, Ramindra Sound, Kon Khon
  • Sunij Asavinikul, Ramindra Sound, Pumpuang
  • Kantana Laboratory, Laddaland
  • Akritchalerm Kalayanamitr, Richard Hocks, Headshot
  • Red Snapper, Friday Killers


Editing

  • Sunij Asavinikul, Phannipha Kabillikavanich, Pumpuang
  • Nagamon Boonrod, Phuriphan Phuphaibun, Thammarat Sumethsupachok, Laddaland
  • MR Patamanadda Yukol, Headshot
  • Sasikarn Suwansuthi, Top Secret Wairoon Pun Lan
  • Panayu Kunvanlee, SuckSeed


Cinematography

  • Kittiawat Semarat, Laddaland
  • Chankit Chamnivikaipong, Headshot
  • Tiwa Moetaisong, Friday Killers
  • Panom Promchard, The Outrage
  • MR Umpornpol Yugala, Hi-So


Screenplay

  • Sophon Sakdaphisit, Sopana Chaowwiwatkul, Laddaland
  • Pen-ek Ratanaruang, Headshot
  • Pattana Chirawong, Pumpuang
  • Tom Waller, Vithaya Pansringarm, Nick Wilgus, Mindfulness and Murder
  • Somjing Srisuparb, Bunpong Panít, Sakilaa Banyen, 30 Kamlung Jaew


Supporting actress

  • Apinya Sakuljaroensuk, Loving Me, Loving You
  • Pimolrat Pisalayabuth, Kon Khon
  • Suthatta Udomsilp, Laddaland
  • Chudapha Chanthakhet, Sop Dek 2002
  • Radklao Amaradit, The Outrage


Supporting actor

  • Nirut Sirichanya, Kon Khon
  • Nattawat Sakidja, Pumpuang
  • Wannasak Sirilar, Mindfulness and Murder
  • Somboonsook Niyomsiri, Top Secret Wairoon Pun Lan
  • Patchara Jirathiwat, SuckSeed


Best actress

  • Suthida Hongsa, Panya Reanu
  • Arissara Lemuan, Love, Not Yet
  • Paowalee Pornpimol, Pumpuang
  • Piyathida Worramusik, Laddaland
  • Patcharapa Chaichuea, 30 Kamlung Jaew


Best actor

  • Saharat Sangkhapreecha, Laddaland
  • Noppachai Jayanama, Headshot
  • Vithaya Pansringarm, Mindfulness and Murder
  • Suthep Po-ngam, Friday Killers
  • Phuphoom Pongpanu, 30 Kamlung Jaew


Best director

  • Sophon Sakdaphisit, Laddaland
  • Pen-ek Ratanaruang, Headshot
  • Tom Waller, Mindfulness and Murder
  • Somjing Srisuparb, 30 Kamlung Jaew
  • Songyos Sugmakanan, Top Secret Wairoon Pun Lan


Best picture

  • Laddaland, GTH
  • Headshot, Local Color
  • Tee-Rak, Pop Pictures
  • Pumpuang, Sahamongkol Film International
  • Mindfulness and Murder, DeWarrenne Pictures


(Via The Nation, Manager)

Monday, January 2, 2012

Top 5 Thai films of 2011



The flooding and the postponement of the 9th World Film Festival of Bangkok from November until January 20-27 at Esplanade Cineplex Ratchayothin put a major damper on at least three features that I probably would have seen this year and put on this list.

But, in truth, I can't use the flooding as an excuse. Hardly any Thai films this year really grabbed me by the heartstrings and compelled me to say "I loved it".

As a consequence, I've limited my annual rundown of top Thai movies to five. I felt 10 would have been a stretch.

I welcome readers to comment, and suggest what they would have liked to have seen on this list.

There is no particular ranking. Let them fall where they may.

Headshot

There were a couple of strong hitman movies this year. One was the sometimes poignant Friday Killer by Yuthlert Sippapak, with a solidly dramatic performance by veteran comedian Thep Po-ngam as an ageing assassin. It really spoke to me, and reminded me of Sam Peckinpah's odes to the end of the Wild West, particularly Ride the High Country.

But it was Pen-ek Ratanaruang’s Headshot that turned the genre on its head. Adapted from Win Lyovarin’s “film-noir novel”, it had a cop-turned-hitman shot in the noggin and then awakening from a coma and seeing everything upside-down.

It skittered around to keep you just as confused and off-balance as the main character, portrayed in a standout performance by Nopachai “Peter” Jayanama.

The Outrage

The murder tale of Rashomon, in which the witnesses and participants recount the deed in wildly conflicting testimony, was most famously depicted in Akira Kurosawa’s 1950 classic. Forget that, implores dramatist ML Bhandevanop Devakula, who brings his sense of highly literate, sweeping melodrama to the tale, which is lavishly costumed and set in the lush northern mountains of the Lanna Kingdom in 1567 in Umueang Pa Mong (The Outrage).

The cast boasts the biggest names in Thai showbiz. At the centre is Mario Maurer as a young monk having a crisis of faith after he witnesses a trial in the woods. At issue was the murder of a nobleman (Ananda Everingham), supposedly by a bandit – Dom Hetrakul in the role made famous by Toshiro Mifune. The wife is played by "Ploy" Chermarn Boonyasak with comedian Petthai “Mum Jokmok” Wongkumlao as the woodsman. Pongpat Wachirabanjong stole the show as the crazy old undertaker living in a tunnel and listening to the monk and the woodsman talk about the murder trial and goads them into seeing the truth.

Poor People the Great

Industry veteran Boonsong Nakphoo, who once made a comedy called Crazy Cops, went the indie route for this documentary-style feature that was screened at the Lifescapes festival in Chiang Mai, the Thai Short Film and Video Festival and at the Lido cinemas in Siam Square.

Back in his home province of Sukhothai, Boonsong cast family, friends, neighbours and even himself to patiently craft a simple gem of a film, Poor People the Great, about an impoverished farmer named Choo.

He’s a man out of synch with the fast-paced world. While others zoom around on motorcycles and talk on cellphones, Choo pedals his bicycle around the province and makes calls on payphones as he tries to find work.

A slacker son and an estranged wife make things more difficult for him.
Choo could likely find a job in Bangkok, but that would mean leaving home.

It’s a story of determination, with a soul-crushing outcome that’s more real than anyone cares to admit.

Laddaland

Family dysfunction and ghosts combined for genuine terror in Laddaland, an intense, dread-filled drama about a young father (Saharat Sangkapreechat) struggling to keep his family together.

He thinks he’s found a dream home in a Chiang Mai subdivision, and sends for his wife, teenage daughter and boy from Bangkok, where he aims to make a fresh start, away from the meddling of his mother-in-law.

But then a Burmese maid is found stuffed inside a refrigerator in the house down the street. A black cat defecates on his lawn. The neighbour next door abuses his wife. Other neighbours start leaving in droves. The dream house becomes haunted and the promise his life held turns nightmarish.

Directed by Sophon Sakdapiset, who had a hand in writing past hit ghost thrillers like Shutter and Alone, it was another solid entry in the canon of horror films from studio GTH.

Top Secret Wairoon Pun Lan

Biographical films are rare in the Thai movie industry because they run the risk of having their makers sued. But 2011 actually saw two major biopics, and it’s hard to write about one without mentioning the other.

First was Sahamongkol’s Pumpuang (The Moon), chronicling the tragic life of luk thung singer Pumpuang Duanchan. With a breakout performance by 19-year-old Paowalee Pornpimon, Pumpuang offered lots of great music, but glossed over much of the troubles in the life of the illiterate Suphan Buri farm girl who rose to be one of Thailand’s biggest stars.

Then GTH came out with Top Secret Wairoon Pun Lan (The Billionaire), which looked at the early entrepreneurial efforts of “Top” Aitthipat Kulapongvanich, who started his Tao Kae Noi seaweed-snacks brand when he was a teenager, got the product into 7-Elevens and was a (baht) billionaire by the time he was 26.

Along the way, the arrogant business-school dropout learned lessons in humility as he made poor choices and rash, uninformed decisions – hardly a flattering portrait of a successful businessman.

Songyos Sugmakanan directed, with Patchara Chirathivat starring in his second big film role, following the fun rock ’n’ roll comedy SuckSeed earlier in the year.

Another highlight of the cast was Top’s kindly "uncle" portrayed by Somboonsuk Niyomsiri, an 80-year-old acting newcomer who’s better known as Piak Poster, the director of many youth-oriented films of the 1970s.

(Cross-published in The Nation)


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