Monday, December 24, 2007

Thoughts and questions on the politics of Thai cinema

Samak Sundaravej has declared his People Power Party the winner in the Thai general election, though it appears his party does not have a majority in the National Assembly. Samak is the conservative former governor of Bangkok. He's a blustery, blabbermouthed sort who yells at female journalists. He also used to have a cooking show on television. If anything, having him as prime minister might be entertaining, but I'm too horrified at the moment laugh very much. Samak's party is the ideological successor to ousted prime minister Thaksin Shinawatra's Thai Rak Thai (Thais Love Thais) party, which was unseated from power in a military coup last year, and the party was subsequently outlawed.

Will the military sit idly by and let Samak run the government? Thaksin and his quick-fix policies were divisive and did more harm than good in the long run, but the military's taking the government by force was wrong, too.

Was the US trying to influence the vote? Freedom Against Censorship Thailand seems to think so, saying that the bribery scandal tied to the Bangkok International Film Festival was obviously timed to influence the Thai election. How? Because the arrest by the FBI of the US-based film festival promoter and his wife, who had close ties to former Tourism Authority of Thailand governor Juthamas Siriwan caused the Thai official to hastily resign from her party, just days before the election. As much as I love a good conspiracy theory, though, I don't think the plot by the Americans, if there was one, had much effect. Juthamas was a member of the Peua Pandin party, a group of political moderates that neither favored nor opposed Thaksin. So even though Juthamas ran a festival that very much smacked of the type of big-spending prestige projects the Thaksin administration loved, I'm not sure there was enough of a connection for her resignation to do much damage to the populist juggernaut that is Samak and Thaksin.


Meanwhile, I'm still pondering over the coming horror that is the 2007 Film Act, which includes a film-ratings system. How will that system fare under a government run by a guy who asks whether a reporter had "sinful sex last night?"

For years, Thai filmmakers and fans have been clamoring for a ratings system to replace the antiquated 1930 Film Act, which just censored films. I was clamoring for ratings myself, until I saw This Film Is Not Yet Rated, which, ironically, I viewed at this year's Bangkok International Film Festival (which was not run by Festival Management). After that, I shut up about how great ratings are. If you want to see how NOT to do ratings, then watch that documentary. But in theory, a ratings system is a helpful thing. Filmmakers who want to target a mature audience can now do so, unless, of course, their film is deemed against "good morals, national pride or state security". Whatever that means. Then it will be banned and no one can see it.

As approved by the military's National Legislative Assembly in a frenzied flurry of questionable lawmaking in the final days before the general election, the ratings system has two general audience tiers, "P", as in "promote", for films that are deemed educational (read nationalistic) and should promoted for all Thai citizens to view, and G, for run-of-the-mill films for general audiences. There are then four age tiers: Under 13, Under 15, Under 18 and Under 20. If you're younger than the stated ages, you can't watch this film.

Like the Motion Picture Association of America's PG-13 rating, I imagine most Thai studio films will aim for the Under 13 category, in order to maximize their audience share while still providing something entertaining enough that viewers 13 and over will want to see. It will take awhile for directors and production companies to get used to this new system, but once they figure it out, they will self-censor themselves in order to appeal to the broadest demographic.

Under the American system, I think the majority of Hollywood films are rated PG-13. It's rare anymore for the big studio films to have the R rating, which is similiar to the new Under 18 (or possibly the Under 15) category for Thai films. Some people may like the midway Under 15 category, but I'm not sure how much difference it will make. What will be the criteria that determines an Under 13 film vs an Under 15 film? Can you say the F-word (or whatever the Thai equivalent is) more than once in an Under 15 film? How many times can you say the F-word in an Under 15 film, or an Under 18 film? What's the difference between Under 18 and Under 20? Will language even be a consideration when it comes to rating films? It generally hasn't been under the censorship system. Especially in comedy films, characters will curse up a blue streak, even if there are impressionable kids in the audience.

Indeed, it's going to take another law to put the system into operation, so it's going to awhile yet before we start to see films with the ratings assigned.

Which leads to many, many more questions.

What will the criteria be? Will the criteria be transparent? Or, will things be done in secret, with filmmakers kept in the dark about why their films are being banned or given a high age restriction? Will there be an appeal system, if the filmmaker doesn't agree with the rating? Will studio films and independent films be treated equally, or will independent filmmakers have to work harder to get their films released under the system? Will the system be similar to the MPAA system in the US, in which promotional items such as posters and preview trailers are also scrutinized? Under the US system, the rating has a big effect on how much the film can be marketed, which is another reason the studios try to aim for PG-13, because it can be marketed more heavily.

As I say, many questions. But not many answers at this point.

Friday, December 21, 2007

Film ratings law passes National Legislative Assembly


The Film and Video Act has passed the National Legislative Assembly, Kong Rithdee, writing for Variety reports. The law includes a complex new ratings system:
  • P - films that are of educational value and should be promoted for Thai audiences
  • G - fit for all age groups
  • Under 13 not admitted
  • Under 15 not admitted
  • Under 18 not admitted
  • Under 20 not admitted
Additionally, under the law, the government has the power to ban films that "undermine or disrupt social order and moral decency, or that might impact national security or the pride of the nation".

Also, note that though there had been talk of an "under 24" rating, it is not part of the final law.

In addition to bureaucrats, the chief of the national police will sit on the ratings board, with apparently no representation for the film industry.

The film ratings system replaces the 1930 Film Act, under which films are censored to make the content fit for all ages. But the censorship was never applied evenly, and was toughest on depictions of sex and nudity. Violence and coarse language generally got a pass.

How and when the law will actually be implemented remains in question, and another law will have to be passed that governs the operation of the ratings system.

The Free Thai Cinema Movement had been lobbying since April to give filmmakers a voice in the law, and wipe out the censorship-and-ban provision, to no avail.

The Film and Video Act was passed on the back of the even-more-controversial Internal Security Operations Command measure, which empowers the military to order curfews, curb the powers of elected officials, possibly censor the Internet and listen in on phone conversations.

The laws were hastily passed in the final days of the National Legislative Assembly, a body appointed by the military that took over the government in a coup on September 19, 2006. After a general electon on Sunday, the Parliament would be filled with elected representatives.

For the past two weeks, non-governmental organization activists led by Jon Ungpakorn have been protesting outside Parliament House, calling on the junta's rubber-stamp lawmakers to stop passing laws. At one point last week, the activists succeeded in storming the Parliament grounds and disrupting the proceedings for a day. For the past week, though, in fear of being arrested for treason, they have stayed outside the fence and yelled their objections.

More on the Bangkok International Film Festival bribery scandal


Just a bit more followup on the Bangkok International Film Festival bribery scandal:
  • The festival's former president and former governor of the Tourism Authority of Thailand, Juthamas Siriwan, has resigned as deputy leader and member of the Puea Pandin (For the Motherland) Party. She was running for Parliament in Sunday's general election.
  • Thailand's Department of Special Investigation will be looking into the case, as will the National Counter Corruption Commission.
  • A Nation editorial notes that this isn't the first instance of corruption in Thailand that has first been exposed by the US Foreign Corrupt Practices Act. Previously, the US-based InVision company had paid bribes to get Thai officials to buy their bomb detectors for Suvarnabhumi Airport.
Previous posts:More information:(Photo credit: Uthorn Sriphantha of The Nation)

Thursday, December 20, 2007

Whither the Bangkok International Film Festival?

The Nation today digs into the interesting reading that is the US Justice Department affadavit about Gerald and Patricia Green, detailing not only the Hollywood couple's ties to the Bangkok International Film Festival, but to various other Tourism Authority of Thailand endeavours as well, including the Thailand Priviledge Card, a calendar book and more.

But it's the bribery scandal's effect on the Bangkok International Film Festival that really pains me. Quite possibly, it marks the end of a film festival that was started with the best of intentions, but became burdened with a vain legacy of ostentatious red-carpet ceremonies, peppered with Hollywood celebrities who were flown to Bangkok at taxpayers' expense, to give the illusion that Thailand is the "Hollywood of Asia".

This obscene display detracted from what should have been the true aim of the festival - to heighten the appreciation of film as art, and not just mere entertainment. For audiences who attended the festival to just see films, this was enough. But others wanted more, more, more.

The festival has its roots in the Bangkok Film Festival (note, no "international" in the title), which started in 1998. It was organized by Nation Multimedia with Brian Bennett hired as programmer. After a few years, Bennett and The Nation parted ways, with Bennett continuing to independently run his Bangkok Film Festival for a few more years. I attended some screenings at the Bangkok Film Festival in 2004, at The Emporium.

Nation Multimedia, meanwhile, had started the Bangkok INTERNATIONAL Film Festival in 2002, in cooperation with the Tourism Authority of Thailand. The two organizers proved incompatible, and Nation Multimedia split from the TAT and went its own way to found a rival festival, the World Film Festival of Bangkok, held in October each year since 2003.

The TAT, meanwhile, continued with the Bangkok International Film Festival. From 2003, the Greens' Los Angeles-based Film Festival Management handled the programming and organization. The budget ballooned to more than US$5 million annually. Lavish red-carpet premieres, cocktail parties, gala dinners, golf tournaments, concerts, cultural performances and river boat tours were arranged for celebrities, dignitaries and the press corps. There were also grand announcement ceremonies and parties on behalf of the festival at Cannes and in Los Angeles. And, oh yeah, they showed some films, too.

This wild frenzy of feeding at the hog trough continued through 2006. After the coup in September, TAT saw its budget slashed by two thirds from 180 million baht to 60 million baht. The governor, Juthamas Siriwan, was replaced. The TAT cancelled its contract with Film Festival Management, and then postponed the 2007 edition of the festival, usually held around January or February, to July.

This year, the TAT managed the festival on its own, but for programming - here's an interesting twist - it hired Nation Multimedia's Kriangsak "Victor" Silakong, director of the rival World Film Festival of Bangkok. With the smaller budget, the number of invited celebrities dwindled. The actors, directors and producers who did show up, came because they wanted to promote their films. It was a move back in the right direction, but perhaps it had come too late. People had been spoiled, and the damage was done.

Even before the 2007 Bangkok International Film Festival was held, word was that it was the last one, though no one would provide a definitive answer to questions on that issue. However, since the festival wrapped, management of the film festival has been transferred from the TAT to the Department of Export Promotion, which so far has not issued any announcements about when the next festival will be held, if ever.

But at least there's the World Film Festival of Bangkok, which without the taint of corruption surrounding it, could very well emerge as the predominant annual film event in Thailand.

More information:
(Photo credit: Thanis Sudto of The Nation)

Wednesday, December 19, 2007

Bribery scandal hits Bangkok International Film Festival


A Hollywood producer and his wife have been arrested in Los Angeles, with a US Justice Department statement saying the couple paid more than US$1.7 million in bribes in order to obtain contracts from a Thai government agency to run the Bangkok International Film Festival, a deal worth $10 million.

Gerald Green, 75, and his wife Patricia, 52, were arrested after a criminal complaint was filed in federal court in Los Angeles on December 7. The arrest was announced by the Justice Department yesterday.

The Greens owned and operated Film Festival Management, a Los Angeles-based company that was formed in 2003 specifically to bid for the management contract for the Bangkok International Film Festival, a deal that would bring in $10 million.

From the US Justice Department press release:

The complaint alleges that from 2003 and continuing into 2007, the Greens conspired with others to bribe a senior Thai government official who was, at the time, the president of the BKKIFF and the governor of the TAT. As a result of her position at the TAT, the Governor was able to influence the awarding of the BKKIFF contracts as well as other TAT contracts. More than $1.7 million in payments were allegedly made for the benefit of the Governor.

The press release does not name the governor, who, up until last year, was Juthamas Siriwan.

"I don't know about that at all. I have no knowledge about this," Juthamas was quoted as saying by Reuters, though she confirmed that during her time as governor, the Greens had worked for the TAT, which oversaw the staging of the Bangkok International Film Festival.

"I want to talk to the arrested couple first before saying anything," Juthamas was quoted as saying by The Nation.

Furthermore, she says she will sue the US Justice Department if it linked her to the case.

"All the procedures involving the case had been done according to the regulations and with fairness and transparence to all agencies concerned. TAT had set up a panel to handle the process," she was quoted as saying at a press conference.

Juthamas is running for Parliament in Sunday's general election under the Peua Pandin banner.

The US government says the Greens set up dummy businesses in order to conceal the large amount of money being received from the TAT, and to make the "commission" payments to the TAT governor through the foreign bank accounts of intermediaries. Acting on evidence supplied by two confidential witnesses, the Greens were arrested by federal authorities on violations of the Foreign Corrupt Practices Act. They face up to 10 years in prison if convicted on all charges, the press release said.

Gerald Green is a producer of such films as Werner Herzog's Rescue Dawn, which was filmed last year in Thailand. He is the president of Viridian Entertainment, a production company for The Rape of Nangking, an upcoming film based on Iris Chang's book.

The Bangkok International Film Festival cancelled its contract with Film Festival Management late last year, after the Tourism Authority of Thailand had its budget slashed by the post-coup, military-appointed government. The festival, originally set for January 2007, was then postponed to July.

Management of the festival has since been transferred to the Department of Export Promotion, and its future is uncertain.

More information:
(Photo credit: Via AFP; from left, TAT governor Juthamas Siriwan, actor Michael Douglas, Patricia and Gerald Green of Film Festival Management, Inc., and director Joel Schumacher at a private dinner at the 2005 Bangkok International Film Festival.)

Tuesday, December 18, 2007

A Thai film about a Cambodian king

A proposed Thai-produced documentary about the Khmer Empire's greatest ruler, Jayavarman VII, is causing concern in the Cambodian media.

It's the latest dust-up for Thai-Cambodian relations, which have been on the rocky side in recent years, and Thai cultural exports have been at the root of the disputes.

In 2003, riots erupted in Phnom Penh when a Cambodian newspaper printed falsely attributed quotes from Thai soap opera actress Suvanant Kongying, who was alleged to have said Angkor belonged to Thailand and had been stolen by Cambodia. Things quickly got out of hand. Thailand's fairly new embassy was burned and several Thai-owned businesses were ransacked.

Last year, there was the debacle that was Ghost Game - a crass slasher about a fictional reality game set in what was unmistakably the former Khmer Rouge torture center of Tuol Sleng.

This time around, Thai diplomats are working overtime to assure the Cambodians of their best intentions, saying that an (unnamed) Thai production company is seeking to make the documentary, but will do so only if it receives Cambodian technical assistance, and if the plan is opposed, they'll drop the project.

More information:(Photo credit: Egui via Flickr)

Monday, December 17, 2007

Ananda Everingham in Laotian film

Thailand's hardest working man in show business is now Ananda Everingham, who has been in no fewer than four films this year. And he has more lined up. In addition to the upcoming thriller by Pleasure Factory's Ekachai Uekrongtham, The Coffin, Nonzee Nimibutr's Queen of Langkasuka (and a little something called Red Eagle - more on that in a few days), Ananda will star in Saibaidee Luang Prabang, or Hello Luang Prabang, a Laotian government-financed romance film about a young Lao-Australian (played by Lao-Australian actor Ananda) falling in love with a Laotian woman (Khamly Philavong), with the setting of the Unesco World Heritage city Luang Prabang as the backdrop.

Filming, done with a mixed Thai and Laotian crew (I'm told that several Thai directors participated in the project), has mostly wrapped up, and the plan is to release the film in time for Laotian (and Thai, and Khmer) New Year in April.

This would be the first Laotian feature film in 20 years, the last one made being Red Lotus (Explorer only), by Czech-trained director Som Ock Southiponh, who is now running a bakery in the capital, Vientiane, and trying to find backers for independent film productions.

(Via LaoSmile.com)

Friday, December 14, 2007

First Flight delayed yet again

First Flight, a historical drama film about the beginnings of aviation in Thailand that has been in production for five years, has had its release delayed yet again to January 30, 2008.

According to the film's jaw-droppingly detailed production timeline, it was due for release in November, but was delayed due to the fatal airliner crash in Phuket in September. It was then being promoted for release on December 27, and trailers have been playing in local cinemas. They play up the comedic, light-hearted aspects of the film, but I expect it will be heavier on the melodrama than is being let on.

From RS Film, First Flight has been dogged by various delays throughout its long production history. Bangrajan director Thanit Jitnukul was originally attached to direct, but was removed at one point. I think he's still being credited as director, though.

The film has been promoted at the Cannes market for three years running, and had some of its thunder stolen by Flyboys, a CGI-heavy Hollywood release covering the same aviation era, with the same kind of ensemble-cast camraderie.

Earlier this year, one of the stars of the film, Sornram Theppitak, ran into some legal problems after his car struck and killed a woman in June. Charged with reckless driving, he was facing a three-year jail term and a fine of 20,000 baht (about US$600). But just last week, he was given a two-year suspended sentence and ordered to pay a 10,000 baht fine after he had made a confession, restored the telephone booth and trees he had damaged and paid compensation to the victim's family.

I don't know if that negative publicity had anything to do with the film's release date being pushed back to the end of January.

Chronicling the formation of the Royal Thai Air Force - the first flying corps in Asia - a lot of CGI has been used for the aerial sequences in First Flight. This heavy use of CGI and various other technical difficulties has more than likely been the sticking point. But there comes a point when you have to just go ahead and release the film to cut your losses and hope for the best.

And from the trailers, it actually looks pretty good.

More information:

Crass comedies close out 2007

A pair of crude comedies being released on December 27 will bring an ignoble end to 2007 for Thai cinema.

From Sahamongkol Film comes Konbai the Movie, featuring the usual cameos from the studio's stable of cafe comics. So you can expect Mum Jokmok to turn up, and be yelled at by Janet Keaw. And there's that cross-eyed woman in there, too.

From the preview, Konbai the Movie appears to be a fish-out-of-water flick about some hill-tribe men who fall in love with a pretty Eurasian-looking woman, and come down from the mountain and into the big city of Bangkok. There, they run into all sorts of trouble, in a set-up that allows for plenty of racist gags at the expense of hill-tribe folk.

Then, from Phranakorn Film, a production company whose speciality is crass, B-movie comedies, comes something called Yen Pe Le Semakute. It is directed by none other than the prolific Poj Arnon, who earlier this year directed the cross-dressing comedy Haunting Me (Hor taew tak) for Five Star and saw his homosexual romantic drama, Bangkok Love Story, released by Sahamongkol. Acclaimed as a groundbreaking film, Bangkok Love Story recently won the Grand Award in all Categories at the Brussels International Independent Film Festival. But I guess Poj still has the need to make loopy comedies in his system.

Again, I have no idea what this is about, but it involves a pair of goofy-looking, apparently brainless guys, one of whom has the ugliest set of teeth ever commited to film. Somehow, a come-hither young woman with a leg brace is involved, though probably not as much as she should be.

More information:

Wednesday, December 12, 2007

Bizarre promo for Chocolate ahead of The Warlords


On Sunday there was a premiere of The Warlords at SF World Cinema at CentralWorld in Bangkok. The place was a madhouse, with Jet Li, Andy Lau, Takeshiro Kaneshiro and Peter Chan present, making for the biggest movie premiere event ever in Thailand.

I wasn't given the secret handshake for press access to the celebs, and I was too freaked out by the massive, impenetrable crowds, red carpet cordoned off by steel fencing and a legion of black T-shirted bodyguards to snap any photos. But I managed to score a ticket to the film, so my day wasn't a total waste.

Ahead of the film, there was a bizarre new extended promo for Chocolate, the upcoming martial arts film directed by Ong-Bak/Tom Yum Goong helmer Prachya Pinkeaw.

At first, I thought maybe it was a trailer for a documentary about autism, as it featured a couple of Westerner autistic people, showing off the type of superhuman mathematics skills that were played up so hugely in Rain Main.

After a couple of minutes of that, they then switched so some footage from Chocolate. I guess the intent of the new trailer is to cast autism in a positive light, and make the comment that while some autistic people have uncanny maths skills, Chocolate's autistic female protagonist (Nitcharee Wismitanant) possesses crazy martal arts abilities.

I searched high and low for an online link to this trailer, but couldn't find one, though I did find this one. But given the amount of attention this film is getting, it won't be long before one surfaces somewhere.

Chocolate is due for release on February 86.