Thursday, December 15, 2011

Good deeds done in Thang Yak Wad Jai

Each year around this time, the Thai film industry offers special films called "pappayon chalerm prakiat", which honor the achievements of his Majesty the King, whose 84th birthday was celebrated on December 5.

This year's offering is Thang Yak Wad Jai (ทางแยกวัดใจ), which is produced by the telecom corporation True and features directorial talents from the GTH studio.

It's a trio of shorts, all starring actor Pitisak Yaowanon from such films as Ai-Fak and Shadow of the Naga. He's a man who affects the lives of others with his good deeds.

The segments are directed Chayanop Boonprakob (SuckSeed), Sophon Sakdapisit (Laddaland) and Nithiwat Tharatorn (Dear Galileo).

The movie opened today at Major Cineplex theaters. You can get a pair of free tickets if you can figure out how to register your good deeds at the website, IWillDoForKing.TrueLife.com.

Monday, December 5, 2011

Review: Headshot (Fon Tok Kuen Fah)


  • Directed by Pen-ek Ratanaruang
  • Starring Nopachai Jayanama, Cris Horwang, Chanokporn Sayoung, Apisit Opasaimlikit
  • Released in Thai cinemas (SF cinemas only) on November 24, 2011; rated 18+
  • Wise Kwai's rating: 4/5

Pen-ek Ratanaruang has created a weirdly fractured and inverted world in his latest thriller Headshot, a.k.a. Fon Tok Kuen Fah (ฝนตกขึ้นฟ้า), literally "rain falling up to the sky".

"Peter" Nopachai Jayanama stars as Tul, a hitman whose world is literally turned upside-down after he's shot in the head - karmic hell for him because he was posing as a Buddhist monk when he did the hit.

He wakes up from a coma only to see everything flipped. He copes by upending his TV and watching nature shows, only the guy doesn't have much time to get soft on the couch. He's soon cowering from snipers who are shooting up his apartment, shattering his aquarium and leaving his goldfish gasping on the floor.

The narrative skitters and shuffles, going back and forth in time, to keep you as confused and off balance as the main character.

Tul wasn't always a hitman. But even when he was a cop, he was trapped in a web of deceit - a mere pawn in the games of the wealthy and powerful.



After refusing a briefcase full of cash to drop charges against a government minister's drug-dealing brother - an arrest that got Tul's police partner killed - he finds himself framed for the murder of a prostitute and sent to prison.

But things are not what they seem.

While locked away, he corresponds with the shadowy "Demon" (Krerkkiat Punpiputt), a pamphleteer doctor who rails against corruption. He is one of Tul's visitors in prison, and it turns out he heads a secret society of hitmen. "We prefer the term 'assassination experts'," the Demon says.

Tul refuses to join at first, but later feels he has nowhere else to turn.

It's a bleak existence for Tul, who is desperate for redemption and enlightenment. He finds it at one point, and the world feels right again, but it's fleeting.



Adapted from the short "film-noir novel" by SEA Write and Silpathorn Award laureate author Win Lyovarin, Headshot is Pen-ek's return to the hitman genre, which he previously tapped in his debut Fun Bar Karaoke and his pair of mood-drenched pan-Asian productions Last Life in the Universe and Invisible Waves.

Headshot continues the dark turn Pen-ek's been exploring in his recent films: the claustrophobic marriage drama Ploy and his forest-ghost thriller Nymph.

And it is indeed dark. The drug bust at night in a warehouse establishes that Tul has trained himself to operate in the black. His skill is put to use in a convenience store fracas. There's more action during a nighttime shootout in a rubber plantation. And, of course, it's raining.

With much of the action taking place in dimness, it's up to cinematographer Chankit Chamnivikaipong to shed a little light on the subject, and he and his supporting team of Red camera technicians are more than up to the task.

The real brightness in Headshot comes from the cast, especially leading man Nopachai, who also starred in Nymph. Here the actor is given a chance to show the lean-yet-musclebound, action-hero side he's displayed in the Naresuan movies, but with a sensitive, cerebral edge who carries his torment on the sleeve of his torn shirt.

Similar to the character in Nicolas Winding Refn's Drive, Tul undergoes a transformation to become a superhero of sorts, and he somehow learns to use his upside-down outlook to his advantage.

The supporting cast adds more color, particularly model and fashion blogger Chanokporn "Dream" Sayoung, making her screen debut as Tul's artistic prostitute girlfriend. The femme fatale first turns up in a revealing pink mini-dress and Tul doesn't need much convincing to take her to a short-time hotel.

Apisit Opasaimlikit, the rapper-actor who's better known as Joey Boy, gives an oddly subdued turn as a gangster who would probably be more menacing if he wasn't dressed in tennis whites and bouncing a tennis ball. In another scene, he calmly pedals a bicycle around a warehouse, taking a break to torture Tul by dripping candle wax in a sensitive spot.

Then there's Tul's rescuing angel, Rin, played by Cris Horwang. He hijacks her car after the candlewax episode, but she remains cool while he's waving a pistol in her face, tossing off a sharp retort or two and offering a towel to wipe up his blood. Helpfully, she keeps a stash of pork rinds in her back seat, as if she knew Tul would be hungry after being tortured. She's always in the right place at the right time.

But again, things are not as they seem.


Related posts:


(Cross-published in The Nation)

Friday, December 2, 2011

Get ready for The Kick


While Tom-Yum-Goong 2 with Tony Jaa, Jeeja Yanin, Dan Chupong and a host of other martial artists may be apparently delayed because of the flooding in Thailand, there's still the Thai-South Korean co-production The Kick with Jeeja kicking around.

Originally slated to open in Thailand last month but postponed over flood fears, The Kick (วอนโดนเตะ) is now set for release on December 22. It premiered at the Busan Film Festival and was released theatrically in South Korea already.

Directed by Prachya Pinkaew, this is a joint effort by CJ Venture and Bangkok Filmstudio, which Sahamongkolfilm is distributing.

The plot, via TwitchFilm.com, goes something like this:

Couple and former Taekwondo champs Moon (Jo Jae-hyeon) and Yun (Ye Ji-won) settle down in Thailand and open a Korean restaurant and Taekwando school. Their three kids are interested in different things; the teenage boy is crazy about K-pop, the girl loves football and Thai dance and only the youngest boy shows any interest in Taekwando. There, the family made friends with Mum and his niece Wah Wah (Jeeja Yanin), a talented Muay Thai boxer. Their life changes when the family and their friends become involved with Korean mobsters who've stolen some ancient daggers.

The Thai trailer's now available for viewing (embedded below). It's a bit different than the Korean trailer.

By the way, there's more Jeeja action in a review of Jakkalan, a.k.a. This Girl Is Bad-Ass at TarsTarkas.net, with loads of screenshots. Fun to look at, but the opinion of the movie itself isn't much different from mine. The trailer's got most of the best bits.

Thursday, December 1, 2011

Tony Jaa and Jeeja take time out for flood relief


The floods in Central Thailand have delayed filming on Tom-Yum-Goong 2, but director Prachya Pinkaew and stars Tony Jaa and Jeeja Yanin aren't just sitting around waiting for the waters to recede.

Along with execs from Sahamongkolfilm International, they've been doing a roadshow, handing out relief supplies and putting on movie screenings, complete with popcorn and cotton candy, in the flood-hit areas.

The photos here are from November 25 in Nakhon Chaisri, Nakhon Pathom, northwest of central Bangkok.

There's a couple more shots from reader Alex in comments to a previous post.

According to an item in The Nation's Soopsip column today, the 3D Tom-Yum-Goong 2 – a sequel to Tony Jaa's 2005 missing-elephant drama – has indeed been stalled by the flooding. The column gives no details on when filming might resume.

And, no, I don't know anything about the plot of the sequel, whether it's set in ancient or contemporary times or even if it's really a sequel at all.

Apichatpong-a-rama: Primitive in Bangkok, For Tomorrow, For Tonight in Beijing, In the Woods in Japan


Apichatpong Weerasethakul's multi-platform art exhibition Primitive finally makes its way to Bangkok after touring the world for the past couple of years or so.

It opens today at the Jim Thompson Art Center and runs until February 29.

Part of the same project as the acclaimed feature Uncle Boonmee Who Can Recall His Past Lives, the video installation Primitive is an intimate look at the village of Nabua, Nakhon Phanom, along the Mekong in northeastern Thailand. It was there in 1965 that the Royal Thai Army staged a massacre during an anti-communist offensive.

Primitive deals with ghosts of that violent past. The seven-channel video installation also offers a slice-of-life look at the young men of Nabua and includes a music video by Moderndog and a behind-the-scenes film of the building of a spaceship – just one of the art projects Apichatpong came up with as a way of engaging the villagers in his project.

Commissioned by Haus Der Kunst, Munich, with FACT Liverpool and Animate Projects and produced by Illuminations Films, London, Primitive has previously shown in Munich, Liverpool, Paris, New York and the Yokohama Triennale. I checked it out at New York's New Museum earlier this year and am glad I'll be able to see how it fits into Bangkok. The Jim Thompson Art Center is on Kasemsan Soi 2, near the National Stadium skytrain station. It's open daily from 9 to 5.


Meanwhile, Apichatpong's been in Beijing, where his latest art installation For Tomorrow, Tonight has been showing at the Ullens Center for Contemporary Art. There's more about this new project at the Wall Street Journal Scene Asia blog.

Apichatpong himself has been in Beijing to screen a retrospective of 20 of his features and shorts and give talks. The retrospective program runs until December 11.

Coverage of the Beijing event includes an interview with City Weekend, in which Apichatpong says he's still hoping to make Utopia ("set in the snow plains in Canada with a giant spaceship") and he offers a list of other Thai filmmakers to watch.

They also bring up the Japanese earthquake short Apichatpong did as part of 3.11 A Sense of Home. It was screened at last month's Asiana International Short Film Festival in Seoul, and features works by 21 filmmakers, including South Korea's Bong Joon-ho, China's Jia Zhang-ke and Japan's Naomi Kawasi. There's also an animation by Japan-based Wisut Ponnimit. Apichatpong's quake short is called Monsoon. All the shorts are 3 minutes and 11 seconds.

There's more coverage of Apichatpong in Beijing in the China Daily, headlined "Sleep-watching Weerasethakul". And People's Daily Online has a photo gallery.

Coming up, there will be a four-film retrospective, Apichatpong in the Woods, at the Baust Theater in Tokyo from January 28 to February 10. They'll screen Mysterious Object of Noon, Uncle Boonmee Who Can Recall His Past Lives, Tropical Malady and Blissfully Yours.

(Thanks Logboy!)

Wednesday, November 30, 2011

On Blu-ray in Hong Kong: Laddaland


One of the year's best Thai films, Laddaland, has hit English-subtitled Blu-ray and DVD in Hong Kong.

Directed by Sophon Sakdaphisit, the screenwriter of Shutter who made his directorial debut with Coming Soon, Laddaland is a dread-filled family psychological drama dressed up as a ghost story.

It's about a young father, struggling to keep his family together, who seeks a fresh start in Chiang Mai, and moves his wife and two children to a housing estate called Laddaland. It's all lawn sprinklers and golden retrievers until a Burmese maid is found murdered and stuffed into a refrigerator in the house down the street. Dad's dream home becomes a nightmare and his chance at a new life with his family comes unravelled.

YesAsia has the goods, either on Region A Blu-ray or Region 3 DVD.

(Thanks Logboy!)

Wednesday, November 23, 2011

Pen-ek's Headshot comes home


Pen-ek Ratanaruang's latest feature Headshot (Fon Tok Kuen Fah, ฝนตกขึ้นฟ้า) opens this week in Thailand after premiering on the festival circuit.

Based on a short novel by acclaimed Thai writer Win Lyovarin, it's a film-noir flavored thriller about a hitman who is shot and wakes up from a coma and sees everything upside-down. He then finds himself the target of revenge killers and has to go on the run.

Headshot was initially set for release in Thailand on November 3 but was then postponed because of the floods in suburban Bangkok. It had been penciled in for December 1, but when the Twilight movie Breaking Dawn settled on that date for its Thai release, Headshot was shifted a week earlier to avoid a clash. Apparently, those teenybopper vampires and werewolves are popular in Thailand, though I have no idea why.

This is the first feature that Pen-ek's done without the Thai studio Five Star Production. He's gone the indie route and is now with the upstart production marque Local Color, started by producer Pawas Sawatchaiyamet (formerly Saksiri Chantarangsri). The Thai release is similar to other indie Thai films in that it's limited to just the SF cinemas chain rather than being blanketed in all the multiplexes.

The press screening was last night at SF World Cinema at CentralWorld, where the ceiling of eighth-floor events area was festooned with upside-down umbrellas as a way of playing on Headshot's Thai title Fon Tok Kuen Fah, literally "rain falling up to the sky".

I've got a review in the works. I liked it and will post my thoughts about it here in a few days.

Headshot had its world premiere back in September at the Toronto International Film Festival.

It also screened in competition at the Tokyo fest, where Pen-ek did an official interview. You can read it at the festival website.

The film also screened at the Vancouver fest, where IndieWire gave it a favorable review.

Internationally, the distribution rights are being handled by Memento, which has previously done deals with Aditya Assarat for Wonderful Town and Hi-So. Wild Side – coolest meowing cat logo since MTM Enterprises – has French rights and Kino Lorber for North America. Further support for the film has come from the Culture Ministry's Office of Contemporary Art and Culture, the Goteborg International Film Festival Fund and the Tokyo Project Gathering.

There's a Thai trailer for Headshot and it's embedded below.

Friday, November 18, 2011

Roundup: Yes or No in HK, Killers in Indonesia


Notes from a couple film festivals in the region:

Saturday, November 12, 2011

Watch this: Trailer for the 2011 Luang Prabang Film Festival



The folks from the Luang Prabang Film Festival have put together a trailer of highlights for this year's edition. It's embedded above.

The fest runs from December 3 to 7 in Laos' former royal capital and Unesco World Heritage site, and features movies from across Southeast Asia. The schedule is posted at Facebook.

If the trailer seems a bit heavy on Thai action and Dan Chupong, keep in mind the Thai stunt star is in two movies at the fest – Tabunfire, a.k.a. Kon Fai Bin or Dynamite Warrior, and the high-seas fantasy Queens of Langkasuka. I expect all the Thai movies – the boxing documentary Lumpinee and the Isaan childhood friendship story Panya Reanu, as well as the Lao-Thai co-production Lao Wedding, are also in the fest – will crowd-pleasers.

Friday, November 11, 2011

Roundup: Eternity and a flood of other Thai films around the world


Thailand is still coping with the severe flooding around Bangkok, which has disrupted the movie business, with a dozen or cinemas closed and World Film Festival of Bangkok postponed.

Movie-industry PR guy Scott Rosenberg, hit by floods himself, talked to the local multiplex chains to find out how they are doing.

Film programmer and publisher Sonthaya Subyen was flooded out and lost some 16mm films including footage of Apichatpong Weerasethakul's Mysterious Object at Noon, according to the Bangkok Post, which also details how the Thai Film Archive's been surviving.

The release of some big movies like Pen-ek Ratanaruang's Headshot and Prachya Pinkaew's The Kick have been delayed until next month though some other Thai movies have gone ahead with their releases, which I've been noting on the Bangkok Cinema Scene blog, and done well in spite of the floods, according to Film Business Asia.

And there's stuff happening for Thai films elsewhere in the region and across the globe. Here's a look:

  • The Cinemanila International Film Festival started today. It's always been an important platform for Thai and other Southeast Asian films. This year's roster will really confuse audiences as there are two films from Thailand called Eternity. One goes by the Thai title Tee Rak (ที่รัก). The debut feature by indie director Sivaroj Kongsakul is in the Southeast Asian Competition. And that other Eternity is Chua Fah Din Salai (ชั่วฟ้าดินสลาย), the lavish, big-budget costume drama by ML Bhandevanop Devakula and starring Ananda Everingham and Ploy Chermarn. It's in the non-competition Asian Cinema program along with Apichatpong Weerasethakul's celebrated Cannes Palme d'Or winner Uncle Boonmee Who Can Recall His Past Lives and Quattro Hong Kong 2, which has a segment by Apichatpong. The musical documentary Baby Arabia is playing in the documentary section. Check out the whole line-up at the festival website.
  • That other Eternity, that is the costume love-triangle drama by "Mom Noi" Bhandevanop, will also be featured at the Asean Film Festival in Bali on November 16 and 17. It's held in conjunction with the Association of Southeast Asian Nations summit and will include seminars other functions.
  • And, to really confuse matters, the indie Eternity is playing on Sunday at the Toronto Reel Asian Film Festival. Just to be clear, this is Sivaroj's Tee Rak, not that other one. Twitch's Mack has a review.
  • Classic Thai films are screening in New York City at the Museum of Modern Art's "In Focus: Fortissimo Films" program, which includes Wisit Sasanatieng's Tears of the Black Tiger, Pen-ek Ratanruang's Last Life in the Universe and The Eye by the Pang brothers. The program is a tribute to the Dutch-Hong Kong film company that helped introduce Asian films to the world stage in the early part of this century. Thai films especially benefitted from the guiding hand of Fortissimo co-founder Wouter Barendrecht, who died in 2009 at the age of 43. The Hollywood Reporter has more on the MoMA film series.
  • Thai films were featured at the recent American Film Market, where a Thai Night was planned. Yuthlert Sippapak's boyband action flick Bangkok Kung Fu was screened there, represented by Golden Network Asia. Sahamongkolfilm International was promoting Prachya Pinkaew's The Kick and it picked up worldwide sales rights to 23:59, a Singaporean boot-camp horror thriller.
  • And back closer to Bangkok, Apichatpong Weerasethakul's multimedia exhibition For Tomorrow, For Tonight goes on show from November 26 to February 10 at the Ullens Centre for Contemporary Art in Beijing.