Friday, January 18, 2008

Indictments handed down in Bangkok International Film Festival bribe scandal

Hollywood producer Gerald Green, 75, and his wife, Patricia, 52, were indicted on Wednesday by a federal jury in Los Angeles, on charges connected to the bribery of a senior Thai tourism official in order to win a contract to run the Bangkok International Film Festival.

According to the Associated Press, the indictment says the Greens gave a bribe of US$900,000 to "a senior official who at the time was president of the festival and governor of the Tourism Authority of Thailand." The Bangkok Post and The Nation today take things a step further, and actually name the "senior official": Juthamas Siriwan, who was TAT governor from 2002 to 2006.

The Greens formed a company called Film Festival Management for the purpose of running the Bangkok International Film Festival, the indictment says.

They "used a variety of channels to hide the flow of illicit payments, including payments to Juthamas's daughter," the Post says. These included "different businesses, dummy addresses and telephone numbers," The Nation says.

The Greens are charged with violating the US Foreign Corrupt Practices Act, and couple face up to 35 years in prison if convicted by trial.

A lawyer for Patricia Green is confident her client will prevail.

"Based on what we read in the indictment, we would dispute the allegations, and a trial will show what really happened," attorney Marilyn Bednarski was quoted as saying by the AP.

The Greens were arrested in Los Angeles on December 17. Even though Juthamas has denied any wrongdoing, she resigned from her position as a deputy leader of the Puea Pandin party just days before the December 23 general election, in order to prevent the scandal from harming the party's chances. That party now looks set to take part in a coalition to form the next Thai government.

When the scandal first broke, various anti-corruption officials said they would look into the Thai side of the scandal, but with the new government coming in, the widespread assumption is that it will be swept under the rug and forgotten about.

Meanwhile, there's been no word yet on when the 2008 Bangkok International Film Festival will be held, if ever.

(Via San Jose Mercury News, Bangkok Post, The Nation)

Chocolate release date moved up to February 6, going head-to-head with Stephen Chow's CJ7

Chocolate, the new Muay Thai and martial arts actioner from the Ong-Bak directorial team of Prachya Pinkaew and Panna Rittikrai, and CJ7, Stephen Chow's eagerly anticipated followup to Kung Fu Hustle, will be released in Thailand cinemas on February 6.

This is a day earlier than had been previously announced. The move was made to capitalize on the long weekend for Chinese New Year, with Lunar New Year's Day being on Thursday, February 7. Like other parts of Asia, Chinese New Year is a big deal in Thailand, so the movie distributors want to roll out some attractive titles for everyone's holiday leisure time.

I don't know which film I'm more excited about seeing. Perhaps I'll try to see them back-to-back on the same day, in the same cinema, if I can find one that's playing CJ7 with the original soundtrack.

I caught the extended new trailer for CJ7 last night before catching a late showing of the heartwarming romance, Cloverfield. I doubt very much that Chow's new movie, about a little alien Tribble with legs bonding with a little boy (Chow plays the kid's beleaguered dad), is going to leave anyone disappointed. I think the trailer is just a hint of the fun to be had.

Meanwhile, the anticipation for Chocolate is growing and growing, fuelled by those crazy, action-packed trailers (which do you want: subtitled or non?) People just can't wait for it to be released. Imagine their disappointment when they find out they will likely have to wait many months for a legal DVD with English subtitles to surface. I will be very surprised if such a thing happens any sooner than sometime in 2009.

Mark Pollard of Kung Fu Cinema has caught the Chocolate craving, saying:

I have a new first love and I don’t even know how to pronounce her name. It’s no contest. Nicharee Vismistananda is this year’s “it” girl, even if takes another year or more for the rest of the world to catch on. With wholesome good looks and unholy ass-whippin’ ability, she is about to unleash several years of intensive screen-fight training upon Thai audiences.


Pollard points out that the only overseas company that has purchased the distribution rights for Chocolate is Indo-Overseas, for India. The Weinstein Company has rights to Ong-Bak 2, which Tony Jaa is directing on his own, while Prachya concentrated on Chocolate, causing a rift between the two. Ong-Bak 2 doesn't even have a release date yet, but no one else has picked up Chocolate. If the Weinsteins did get the rights, I wonder what they would rename it?

Love of Siam, Ploy, Opapatika get Asian Film Awards nods


Nominations for the second annual Asian Film Awards have been announced, and topping the list of nominees from Thailand are two young actors: Mario Maurer, who has received a best supporting actor nod for The Love of Siam, and Apinya Sakujaroensuk, who played the Afro-haired title character in Ploy, as best supporting actress.

Hmm, now I know there are Love of Siam fans out there who are saying, "Supporting actor?! Mario is the star!" And, hey, maybe he could stand up against the likes of Tony Leung and Jet Li. (Reminder for Bangkok readers: The four-hour director's cut of The Love of Siam is playing until Wednesday at House on RCA.)

Pen-ek Ratanaruang's Ploy received a second nod for best cinematography, for Chankit Chamnivikaipong.

The Love of Siam, unsurprisingly, is also nominated for best composer, with the The August Band, Flure, Witwisit "Mew" Hirunwongkul, director Chukiat Sakweerakul and Passakorn Wiroonsup named as co-nominees.

The dark karmic action thriller, Opapatika, is nominated for best production design (Pisut Pariwattanakit and Thanakorn Pornsuwan).

Top nominees are Ang Lee's Lust, Caution and Peter Chan's The Warlords, each with six nominations, including the top categories of Best Picture, Best Director, Best Actor and Best Actress.

(Via Twitch and Variety)

Thursday, January 17, 2008

Syndromes and a Century on DVD

Apichatpong Weerasethakul's groundbreaking Syndromes and a Century was released on DVD on Tuesday in the U.S. The film was subject to censorship in Thailand, and will likely never be released here. Picked up by Strand Releasing, the DVD is of course the complete version, and it has English subtitles.

The film was commissioned in 2006 for Peter Sellars' New Crowned Hope festival in Vienna, to celebrate the 250th anniversary of Mozart's birth.

Syndromes and a Century premiered at the Venice Film Festival, and then went on to be screened at many more festivals throughout 2006 and 2007, including the New York Film Festival, the Toronto International Film Festival, the London Film Festival, Vancouver, Pusan and Rotterdam.

It came home to Thailand in March 2007, where it was screened once for the press, with a limited release planned for early April. But then the censorship board informed Apichatpong that he would have to cut four seemingly innocuous scenes. Rather than cut his baby, the director pulled the film from release. (Update: It was later screened at least twice last year in Bangkok, on November 16 and 17, when Apichatpong introduced it at Alliance Francais.)

Syndromes and a Century made the rounds in theatrical releases in North America, France, the U.K. and elsewhere over the past year. The film is one of the centerpieces of a program devoted to Apichatpong's works this week at New York's Anthology Film Archives. It was listed on the year-end best-of lists of many notable critics.

I think that the more praise that is heaped on this film will only cause the conservative clique in Thailand's Culture Ministry to strengthen its resolve, which likely means more independent films will be punished if indie directors have the temerity to try and release them in Thailand. Or, there's the hope that so much rabble will be roused by the underground film scene, that the establishment will crumble. It's going to be an interesting year in Thailand.

Now, the DVD reviews for Syndromes and a Century are starting to roll in. Peter Nellhaus of Coffee, Coffee and More Coffee is one of the first to weigh in. I don't want to steal too much of this thunder, but I can't help myself, because he so succinctly states the case:

I think I understand why the Thai government banned the film. First, it must frustrate the hell out of the government officials that the most critically acclaimed filmmaker is openly gay, and gets his financing from foreigners. Equally damning is that the filmmaker with the familiar name of Joe makes films that look nothing like either the Thai films made for Thai audiences, or something stately like The Overture, a Thai film for non-Thais. Joe's films lack the frame of reference that connect them with traditional Thai films, which goes against the grain of a country where mainstream cinema means embracing the familiar.


Syndromes and a Century is available at Amazon.com. Get one for yourself and order extras for your friends.

Video: Kiss My Snake



Kiss My Snake is a 2007 documentary film directed by Tom Tavee in the tiny Northeastern Thailand village of Ban Kok Sa-Nga, home to a group of people who call themselves the King Cobra Snake Boxers, who put on tourist shows in which they engage in the art of snake boxing. There's also dancing with pythons, cobra kissing, as the title implies, and even putting the poisonous snakes in their mouth.

Here's one reviewer's take on the film:

Hundreds of miles away from Bangkok, in the remote wilds of Thailand, lies the small village of Ban Kok Sa-Nga. With a population of 655, one wouldn't think that the craziest dudes on the planet live there. But they do, and they're called King Cobra Snake Boxers. That's right, King Cobra Snake Boxers. Don't let the fact that the name sounds like a basketball team from a community college's intramural sports league deter you from the truth: these Thai guys bring it.

Thank you director Tom Tavee for bringing me this look into the world of King Cobra Snake Boxing. To think that I was living my life without knowing that a paltry thousands and thousands of miles away there was a guy putting an 18 foot poisonous snake down his pants. That sight and more await you in this kick-ass documentary.


The DVD of this 74-minute doc is distributed by Cinema Epoch, purveyors of many fine titles.

I looked up Kiss My Snake on Amazon.com, and thought it was pretty funny that my "Better Together ... buy this DVD with" option was The Wind That Shakes the Barley. I think the only response to that is WTF?

(Via Skullring.org)

Naresuan misses Oscar nomination


MC Chatrichalerm Yukol's historical battle epic, King Naresuan II, under the title of King of Fire, didn't make the short-list of Oscar hopefuls, which has been whittled down to nine entries from the 63 submissions for Academy Award for Best Foreign Language Film.

Notably on the list is Mongol, the Kazakhstani biopic about Genghis Khan that stars Tadanobu Asano. This is the Genghis Kahn biopic I think I wish I would have seen last year, instead of To the Ends of the Earth and the Sea.

There's no Exiled by Johnny To from Hong Kong. No I Just Didn't Do It from Japan. No Secret Sunshine from Korea. Also, no 4 Months, 3 Weeks and 2 Days from Romania, as noted by the LA Weekly.

I was also rooting for Singapore's 881, but it didn't make the list either.

Naresuan II had its North American premiere at the recent Palm Springs International Film Festival. A third film in what will be the Naresuan Trilogy is supposed to start filming and be completed sometime this year, with Tony Jaa in the cast.

Pen-ek Ratanaruang's Ploy also played at Palm Springs, as did 881. By the way, 881 makes its European premiere in the Sturm und Drang program at the International Film Festival Rotterdam, where techno cat director Royston Tan is a member of the Tiger Awards jury.

The final five nominees for the Academy Award for Best Foreign Language Film will be named on January 22.

(Via Kung Fu Cult Cinema)

In Bollywood, Bombay to Bangkok

The big release in India this week is Nagesh Kukunoor's comedy, Bombay to Bangkok, about a bumbling guy (Shreyas Talpade) in trouble with the mob, who escapes from harm by infiltrating a team of relief doctors and jetting to Thailand.

There, he meets cute and falls in love with a comely Thai masseuse named Jasmine (SARS Wars' Lena Christensen). The relationship is a struggle, though, because Jasmine only speaks Thai, which is ironic because Lena got the part because she could speak English.

The film was shot on location in Bangkok, with the "boys in tight brown" of the Royal Thai Police more than happy to help out as noted by Planet Bollywood (click at your own peril):

The film that Nagesh describes as a "wacky comedy", has many interesting anecdotes connected with it. Not only was the movie actually shot on the tarmac of the Bangkok airport, but what is really surprising is that there are real cops from the [South]east Asian country, essaying the role of the law enforcers. As per Nagesh, he had hired the services of real policemen who used to shoot for his film after their duty hours. They were very cooperative and enthusiastic and gave the scenes an authentic look.


Among the bloggers tracking this film is Amrit Pal of Indian in Thailand, who wrote earlier this week about the film's chances of being released in Bangkok, which Amrit feels are pretty slim, even though Thai audiences, especially Indian Thais, would probably enjoy this comedy more than people in India. Says Amrit:

I really wonder if the movie title and the promos are compelling enough for people to come to the theaters to watch the movie. Only the people who are connected to Thailand in some way will find it interesting ...

The only thing which scores with people is "humor" but in this movie it will be more contextual than situational. As such, the people who have no idea of culture, traditions, behavior and language of Thais will never understand it. Even the tag line of "same same but different" would not be understood by many. Moreover, I don't expect any extraordinary treatment of this subject- only a simple one. But if it is, it will be a landmark movie and it will be a mistake not to release it here in Bangkok as even the Thais would like to watch it.

More information:

Who is David Winters?

David Winters. Child actor. TV star. Dancer. Director. Producer. Raconteur. Celebrity. Sometime since his days as a cast member of West Side Story, the English-born Winters has been based in Bangkok.

In 2005, he produced the English-language, Thai historical epic, The King Maker, which starred Gary Stretch, John Rhys-Davies and Cindy Burbridge. He's recently been mentioned as a partner with Oliver Stone in the "Olliewood" film studio between Bangkok and Pattaya.

Want to know more? The HDtv film Thailand blog has a two-part feature on Winters.

Wednesday, January 16, 2008

Once Upon a Time at the Children's International Film Festival

Once Upon a Time ... This Morning, a 1995 film by Bhandit Rittikol that was Thailand's submission for Academy Award for Best Foreign Language Film, will be screened as part of the Second International Children's Film Festival in Bangkok.

The showtime is at 4:30pm on January 26 at Major Cineplex Pinklao. It will supposedly have English subtitles.

Once Upon a Time is a special screening. Organized by the Thai Film Foundation, with support from the Office of Knowledge Management and Development, the festival has three competition sections, Smell a Flower (ages 5 and up), Have a Heart (ages 9+) and See the Light (for kids 12 and beyond). Other films include the heartwarming Japanese feature Helen the Baby Fox, Ice Bar from South Korea and Akeelah and the Bee.

The festival is running from January 18 to 27, with feature films screening at Major Pinklao on Saturdays and Sundays. Other venues are TK Park at CentralWorld and the Princess Maha Chakri Sirindhorn Anthropology Centre in Taling Chan.

Review: Mum Deaw


  • Directed by Panitch Sodsee and Petchtai Wongkamlao
  • Starring Petchtai Wongkamlao, Phuntadon Kliengchun, Benjawan Artner
  • Released in Thailand cinemas on January 10, 2008
  • Rating: 3/5

Through the film’s sunny posters and the misty-eyed, romance-drenched previews and music videos, Mum Deaw – the new comedy by Petchtai Wongkamlao – appears to be a family-friendly affair. But it’s only family-friendly if parents are on hand to explain to their children that drinking orange juice won’t necessarily put you sleep.

Somehow, this sweet-natured story of an Isaan native newly arrived in Bangkok, and his subsequent bonding with a little boy and romancing of a beautiful teacher, blends in orange juice dosed with a date-rape drug. The drug-laced juice is a discomfiting aspect of this uneven comedy-drama, co-directed, produced and written by Panitch Sodsee and Petchthai, who’s more famously known as comedian Mum Jokmok.

That this confusing film barely resembles its marketing campaign is understandable. Completed in 2006, studio Sahamongkol Film International likely kept it in the can this long because they didn't know what to do with it.

Mum Daew opens with a voice-over to explain that Yasothon native Mum – conveniently playing a character named Mum – is coming to Bangkok for the first time to house-sit for a rich cousin. It’s a chance to fulfill the dream of his lifetime: studying the Chinese language at a private school.

The fun starts as Mum is transported into the city by an obnoxious taxi driver, who can’t believe his ears that an Isaan native is going to study Chinese. Even more unbelievable is that Mum’s humble character is going to live in a luxurious pad right out of a Thai television soap opera.

Rarely transcending anything more than an extended television sitcom, the entire setting of the film is in the fantasy world of a fenced-off housing estate, with large houses, fancy cars, lushly tree-lined lanes and immaculately landscaped gardens. What part of Bangkok is this?

Mum has no time to get comfortable in his new house, though, because that first night he finds a mysterious little boy hiding in his kitchen cabinet.

Played by rooster-headed Phuntadon Kliengchun, the creepy little kid explains that he is not a ghost, but a sign of predestination for Mum – he is Mum’s son-to-be, but will only be born if Mum can woo the woman who will be his mother. If Mum is unsuccessful, the boy, Deaw, will instead be born as a puppy to one of the neighborhood strays.

The next day, the boy – who is evidently only visible to those he wishes to see him – leads Mum to a nearby park, where he points out the woman Mum is destined to marry. While the light-skinned, statuesque beauty is a vision, she seems an unrealistic match for the diminutive, square-faced Mum.

But it does seem as if Mum and the woman, named Fah, are destined to meet when Mum visits his Chinese-language school and finds that Fah (played by Benjawan Artner) is one of the top teachers there.

Soon she’s in Mum’s dreams, which, like the fantasy sequences in another Mum film, 2005’s Midnight My Love, are a hilarious highlight. Here, they are right out of a Chinese fantasy series, with the impassive, deadpan Mum cast as the bold hero.

Each day, the mysterious Deaw turns up with a new “operation” to aid Mum in his quest to bed the boy’s mother, scenarios that lead to pranks, pratfalls and insults at Mum’s expense.

Helping dispense unkindness towards Mum’s character are a couple of other well-known comedians who are often cast in Mum’s films – Choosak “Nhong” Iamsook playing a security guard with an obviously fake moustache, and Yuen Chuan Chuen, as the owner of a company where Mum’s character briefly works. Yuen also has some insanely fake facial hair: the same muttonchop sideburns that are worn by a golfing figurine on his desk. It’s one of the best sight gags in the movie.

Because of the boy’s elaborate plans, Mum is beaten up, chased and cowed into submission by the usual procession of pranks and slapstick. With his deadline fast approaching – a stray bitch is about to have pups – Mum gives in to pressure and connives to bring Fah back to his bachelor pad, where he’ll get her to drink the drugged orange juice.

But nothing is as it seems, and the story takes a dark, violent turn that sees the boy end up in a hospital bed. The bond between Mum and Daew is strengthened in a tender embrace, and the film ends on a misty-eyed note of romanticism, with two people riding a motorcycle off into the sunset with a voice-over from Mum urging viewers to strive for what they believe.

(Cross-published at The Nation)