Thursday, April 16, 2009

Review: 5 Minute War


  • Directed by Achira Nokthet
  • Starring Sattawat Sethakorn, Panada Wongpoodee, Teerawut Hiranwattanangkroon, Theerawat Hiranwattanangkroon
  • Premiered in December 2008 at the first Pai International Film and Animation Festival; also in competition at the seventh Human Rights Film Festival in Donostia-San Sebastian, April 23 to 30, 2009; reviewed on screener DVD
  • Rating: 3/5

In 5 Minute War, a man in a yellow track suit severely beats a woman in a red dress.

Merely coincidental or not, it's difficult not to watch 5 Minute War without seeing some symbolism of Thailand's political scene, which is divided by factions of Bangkok's urban elite (yellow) and the largely rural working class (red).

And given that there's a pause after skirmishes in central Bangkok between the red shirts and the forces of the government (which was ushered to power by the yellow mob), the time seems apt to review this 28-minute short from Thailand-based Benetone Films.

The story is simple: Twin boys (Teerawut and Theerawat Hiranwattanangkroon) are compelled to enter the boxing ring and beat the snot out of each other, or else their young mother (Panada Wongpoodee) -- the lady in red -- will be killed by the man in yellow (Sattawat Sethakorn).

The short is a showcase by first-time director Achira Nokthet for Benetone Films, a company that primarily makes television commercials and provides services to foreign film productions.

At the center of 5 Minute War is a 10-minute Steadicam tracking shot -- a dizzying sequence that moves around the boxing ring, the primary attraction of an underground club for gambling and prostitution, as people mill about waiting for the main bout. There's also stylized lighting -- the kind that makes everything a sickly but cool green and highlights that red dress. And there's lots of good-looking fake blood, running out of the nose and cuts on the face. Other technical specs -- clear sound and a decent score -- show the competence of the production.

The actual fight by the boys isn't a large component -- they throw a few knee-kicks and roundhouse punches -- but don't expect to be seeing Ong-Bak 2-scale martial arts, or even Power Kids-style beat downs.

Actually, the fighting between the mother and her brutal ex-boyfriend is more frightening, fierce and bloody.

Hey, that could be more symbolism. But you'll have to catch 5 Minute War at a festival screening somewhere or many online someday to figure it out.



Related posts:

(Many thanks to Rachwin at Benetone Films for the screener DVD!)

Wednesday, April 15, 2009

8 Thai films at Udine, with Muay Thai action, horror and romance

The 11th Udine Far East Film Festival has announced its complete lineup, and this year it will feature eight Thai films, including a special section, "Kicks of Fury -- New Muay Thai Films", as well as Thai horror and romance, including the international festival premieres of Buppha Rahtree 3.1: Rahtree Reborn, Coming Soon, Somtum and Best of Times.

"Kicks of Fury -- New Muay Thai Films" features Tony Jaa's magnum opus Ong-Bak 2, which makes its European premiere.

Then there's a couple of Tony's action sisters -- the well-traveled hit Chocolate, featuring the debut of "Jeeja" Yanin Vismistananda, and last year's kid-powered Somtum, with girl boxer "Kat" Sasisa Jindamanee trying to teach hulking Nathan Jones Muay Thai, but it takes spicy papaya salad to bring out the fury in the gentle giant. Somtum is making its international festival premiere.

There's also bloody Muay Thai-basketball combat in Fireball by Thanakorn Pongsuwan, which makes its Italian premiere.

Two leading lights of Thai action cinema, Chocolate director and producer of Ong-Bak 2 Prachya Pinkaew, as well as producer and action choreographer Panna Rittikrai are expected to be among the guests in Udine.

Also heading to Italy will be producer-director Yongyooth Thongkongtoon. Along with sweet sentiment in his his new romantic drama Best of Times (Kwaam Jam San Dtae Rak Chan Yaao), making its international premiere, Yongyooth will bring the scares for Udine's Horror Day with the four-segment omnibus 4Bia -- a solid favorite on the festival circuit -- as well as last year's Coming Soon by Alone and Shutter co-writer Sophon Sakdapisit, also making its international festival premiere.

The Thai lineup is rounded out with a third feature for Horror Day -- Buppha Rahtree 3.1: Rahtree Reborn -- making its international premiere. Just released in Thai cinemas last week, I'm still puzzling this one over, so I'll be interested to find out what other people think about it.

The 11th Udine Far East Film Festival runs from April 24 to May 2.

(Via e-mailed press release; thanks Stephen!)

Tuesday, April 14, 2009

Black Songkran in Bangkok


During Songkran, the Thai New Year, Thailand's biggest holiday, people ordinarily take to the streets and have good-natured water fights.

This year, bullets and Molotov cocktails are flying as Thailand's political cycle takes its most vicious turn yet with the army trying to force the red-shirt protesters from the streets.

Last November, it was people in yellow shirts who shut down the airports and succeeded in ousting a government they were unhappy with. Now it's people in red shirts, disrupting a regional summit meeting and blockading major intersections in Bankgok. They're unhappy with the government put in power by the yellows.

Both sides have been hollering for democracy, but neither outcome has been truly democratic. Power is taken by big-money politics, by the threat of tanks or by mass movements in the streets.

I won't attempt to cover this state of emergency in any depth here. Rather, I'm going to take a break for at least a couple days -- it just doesn't seem right to continue writing about movies as if nothing else matters.

For the news, I've been following the usual suspects: The Nation, the Bangkok Post, Bangkok Pundit. Add to that the power of Twitter, where #redshirt is a trending topic covered by many, including Thai101, Matthew_Hunt, Newley, CodyMcKibb, Bact and ThailandToday. Apologies to anyone I've left off.

Update: By Tuesday afternoon, the red-shirt leaders were arrested or had surrendered to police, and told their supporters to go home. Seems the battles with the army and skirmishes with enraged local residents took the fight out of the red shirts. Two people are dead as a result of the fighting. Meanwhile, the Songkran holiday has been extended two more days to continue until Friday. What will happen next? What will the red shirts and their figurehead, the fugitive former prime minister Thaksin do? Can the government of Abhisit Vejjajiva mount a successful national reconcilation?

Monday, April 13, 2009

Art of the Devil 3 coming to Region 1 DVD in August

Art of the Devil 3 is set for DVD release in North America on August 4. Media Blasters' Tokyo Shock has it, which will complete the label's Art of the Devil box set, which so far comprises Art of the Devil and Art of the Devil 2.

I've heard of problems with the discs in Tokyo Shock's box set not containing the original Thai soundtrack, having only the English dub. Anybody know if that has been fixed?

The first Art of the Devil, or Khon Len Khong (คนเล่นของ) was released in 2004 and was directed by Thanit Jitnukul. "Kratae" Supakson Chaimongkol stars as a pregnant, abandoned girlfriend who turns to witchcraft for revenge.

Art of the Devil 2 (Long Khong, ลองของ) came out in 2005. It's a completely different story, about a vengeful schoolteacher named Panor ("Mamee" Napakpapha Nakprasitte) who uses black magic on her misbehaving students. That was followed last year by Art of the Devil 3 (Long Khong 2, ลองของ 2), which is a prequel to Art of the Devil 2.

The last two films are by seven young directors collectively known as the Ronin Team. They include Kongkiat Khomsiri, writer of The Unseeable for Wisit Sasanatieng, and director of Muay Thai Chaiya and the upcoming Slice.

The series has proven to be popular, and even generated critical acclaim with Mamee picking up a best-actress nomination from the Bangkok Critics Assembly (but not without drama with another awards body).

Five Star Production sold the remake rights to Hollywood last year.

Art of the Devil 3 was featured at the recent Philadelphia Film Festival, where Peter Nellhaus of Coffee Coffee and More Coffee reviewed Art of the Devil 3 and the other Thai feature in Philly's Danger After Dark program, 4bia.

Peter has previously reviewed the first two Art of the Devil films as well.

(Thanks Logboy!)

Sunday, April 12, 2009

A full-on attack of Bangkok Adrenaline

Just what Bangkok needs, in this time of red-shirt protests, a tank-jacking and a state of emergency gone awry -- Westerner stuntmen, all pumped up and foaming over with anger in their own action movie.

At long last, the Westerner-led action comedy Bangkok Adrenaline has a release date in Thailand. It's coming out on May 14.

The Thai title is อะดรีนาลีน คนเดือดสาด, or Adrenaline Kon Deuat Sat, or roughly, I think, "boiling adrenaline men".

Long in development, Bangkok Adrenaline was promoted with cast appearances at the 2007 Bangkok International Film Festival.

Produced by Motion Pictures, directed by Ray Hubert and action choreography by Ron Smoorenburg, Bangkok Andrenaline stars Daniel O'Neill, along with "Pu" Priya Suandokmai, Conan Stevens, Dom Hetrakul, Lex De Groot and Geoffrey Guiliano.

Here's the synopsis:

Fresh off the plane in Thailand, four Western backpackers find themselves in a card game they can not win. Owing bad-ass local gangsters a million baht they don't have, their dream vacation has taken an unplanned turn.

Desperate to save themselves, they concoct a plan to kidnap a beautiful heiress and hold her for ransom. The zeros become heroes in this martial arts extravaganza when they accidently save the heiress from her father's murderous intent.

Dad gets mad and unleashes his army of hitmen in a last ditch attempt to fulfill his twisted ambition.

But the boys aren't going to go down easy. Shot entirely in Thailand, blood pumps and fists fly in the action comedy Bangkok Adrenaline.

According to Conan, the trailer (also in English) is playing ahead of screenings for Fast & Furious, with the idea that people who watch Vin Diesel grumble his way through the fourth film in the car-racing franchise will also want to watch foreigner stuntmen go tear-assing around Bangkok.

The English-language movie has been dubbed in Thai, but hopefully distributor Box Office Entertainment will run the original soundtrack in some cinemas, at least in central Bangkok.

That is if there is still a Bangkok left come May 14.

Update: More details at Kung Fu Cinema.

(Via Conan Stevens; poster via Nangdee)

Southeast Asian migrant workers on the edge in Detours to Paradise


Detours to Paradise, a Taiwanese drama about migrant workers from Southeast Asia, has opened in Taiwan, and it makes its international premiere on Tuesday as the opening film of the 22nd Singapore International Film Festival (where it's called Sincerely Yours or Qilu Tiantang).

I've mentioned the movie before in a roundup of the Thai films at the Singapore fest, noting its Thai connections.

Actor-filmmaker Banlop Lomnoi, one of the leading men in Apichatpong Weerasethakul's Tropical Malady, stars as a Thai construction worker in Taipei who strikes up a relationship with an Indonesian maid.

Yang Kuei-mei from Pleasure Factory also stars, playing a paralyzed and depressed former movie star.

David on Formosa has more:

Detours to Paradise (歧路天堂), directed by Rich Lee (李奇), portrays the lives of “runaway” foreign workers in Taiwan. Statistics from the Council of Labor Affairs state there were 365,060 foreign workers from Southeast Asia in Taiwan at the end of 2008. In addition there were 25,821 runaway foreign workers. They are a significant group in number and must struggle to make a living in often harsh and difficult circumstances.

According to David, both Banlop and Indonesian model, actress and filmmaker Lola Amaria learned Mandarin specifically for this movie.

Watching the trailer at YouTube (embedded below), it reminded me a bit of Tsai Ming-Liang's own tale of migrant workers on the edge, I Don't Want to Sleep Alone.



(Thanks David!)

Saturday, April 11, 2009

Review: Buppha Rahtree 3.1: Rahtree Reborn


  • Directed by Yuthlert Sippapak
  • Starring Chermarn Boonyasak, Mario Maurer, Nattawan Saksiri
  • Released in Thai cinemas on April 9, 2009
  • Rating: 2/5

Rahtree is rebooted. Gone is the meek but angry ghost of a girl who was spurned and died from complications of an abortion. All that's left is a lonely young woman, still played by "Ploy" Chermarn Boonyasak from the first two movies in 2003 and 2005.

But there's a confusing complication -- another Buppha Rahtree -- a bullied little schoolgirl (Nattawan Saksiri) who claims she's the reincarnation of Buppha Rahtree. She's the stepdaughter of an abusive barber (Santisuk Promsiri). Weary of being beaten, she stabs dad with a pair of scissor and runs away with his straight razor. She turns up at Buppha's apartment building, has her jaw ripped off in a strange encounter with a man in a bathroom and sets about terrorizing the tenement. She lures people in, looking like an innocent girl bouncing a pingpong ball. Then she takes the form of a dead-eyed, gore-covered, jawless little hair ghost. Other times she's the grown up Buppha played by Ploy. It's hard to tell what's really going on.

What is clear is that director "Tom" Yuthlert Sippapak is seeking to reset his Buppha Rahtree franchise and tell the story in smaller increments, as signaled by the title, Buppha Rahtree 3.1: Rahtree Reborn (บุปผาราตรี 3.1).

Characters from the first two films have been swept away. Gone is landlady Sister See. She's been replaced by Sister Five, who's turned one floor of the apartment building into an illegal casino.

Also missing in action is Buppha's old boyfriend, Ake, whose spirit is finally at rest. Replacing him is Rung (Mario Maurer), a graphic novelist who sees dead people like Haley Joel Osment in The Sixth Sense. Buppha played an important role in his childhood, and no she wasn't his long-lost sister -- that was Love of Siam.

At least one character from the earlier two movies has returned -- the comical "ghostbuster" Master Kong (Somlek Sakdikul), who is running for governor of Bangkok on a platform that he should be elected because he isn't a politician. His movie poster from 2005's Rahtree Returns is a campaign flier, and he's striking the same fierce pose that former massage-parlor tycoon Chuwit Kamolvisit used in billboards for his most recent gubernatorial bid. Kong is eventually enlisted by Sister Five to try and banish the demonic little girl ghost.


Also, Yuthlert's trademark blending of comedy and horror is still present, and the director brings in a troupe of familiar cafe comedians and a pair of cross-eyed character actresses to fill time as comic relief.

There are also cameos from actor-musician Pe Arak Amornsuksiri and one of his Rak/Sam/Sao leading ladies, Koy Ratchawin Wongwiriya. They summon a ghost in a oujia session.

The timeline of the narrative jumps so often and so erratically, it's difficult to follow.

And at one point, one of the comedians opens a door and a black title card comes up to say that the supposed carnage he's seen is "censored".

I am unsure whether that's for real or it's just Yuthlert joking around.

Also, with an ending that is just as puzzlingly abrupt as Tony Jaa's Ong-Bak 2, Yuthlert promises there will be a Buppha Rahtree 3.2: Rahtree's Revenge, continuing the story in yet another tiny increment.

Maybe that story and this one will gel for something I can really get behind, like Yuthlert's first Buppha Rahtree. But Buppha Rahtree 3.1: Rahtree Reborn is such a disappointingly confusing mess, I can't be certain what it is I saw, despite the fact that I've just written words about it.



Related posts:

Review: Sassy Players (Taew Te Teen Raberd)


  • Directed by Poj Arnon
  • Starring Sudarat Butrprom, Peerawit Bunnag, Warapat Petchsatit,
  • Released in Thai cinemas on April 2, 2009
  • Rating: 1/5

For the grand finale football match in Taew Te Teen Raberd (แต๋วเตะตีนระเบิด, also Sassy Players), the gay-transvestite team wore yellow to face the powerhouse rival, wearing red.

I'm not going to say who won, because really, who cares? But the message is that yellows and reds should love one another.

But another state of emergency has been declared after Bangkok's traffic was snarled and the ASEAN summit was invaded by red-shirted anti-government protesters -- unhappy with the government seated with the help of the last batch of anti-government protesters, who wore yellow. So that message has clearly not been heeded.

But given that Sassy Players was made with the manure-bucket method, it's easy to see why that message was lost. And what's the manure-bucket method? Well, it's when a director has a big bucket of manure and the manure is flung at a wall to see what sticks.

In the case of Poj Arnon and studio Phranakorn Film, it must have been a dumptruck load, because there is so much going on in this movie, it's difficult to determine just what it is about. Lots of manure was flung, but most of it slid down and formed a fetid pool of muck.

The setting is at Catholic school, formerly all girls, but has opened to boys, and one of the teachers, Tukkie, played by the indomitable comic actress Sudarat Butrprom, wants to field a boys' football team.


The school has just enough students who were born male to fill the 16-member squad, but seven of them are transvestites. The bonus is the team won't have to have a cheerleading squad -- it has one built in.

And when the sight gags don't have to do with the outlandish outfits, absurd cosmetics or garish shrieking and mincing by the ladyboy athletes, piling on top of each other in a great heap, there's half-hearted drama involving the team's straight-acting boys. Are they gay or aren't they? That's the big question that's used like a rabbit for racing greyhounds to chase after.

The structure is the basic sports comedy of the team forming, learning how to play, going through training sequences and the team members bonding with each other in the process. The katoeys and the straight-acting players get along just fine. There is no drama there -- sleepovers at each others' houses or at the school are treated as ordinary.

The supposed center of this sports comedy is a rather petty and mean-spirited parody of Chookiat Sakveerakul's Love of Siam, which the Catholic school setting and Christmas-tree lights complement. Just have the pretty boys saunter through Siam Square going moon-eyed over some girl (or maybe each other?) and the picture is nearly complete. The capper is a scene directly lifted from Sahamongkol Film's Love of Siam, except here a dim-witted mother has an inane heart-to-heart talk with her son, asking him to choose a bra or a pair of mens' briefs -- the undergarment he selects will determine his sexuality.

Sassy Players also tries to reference the GTH romantic comedies like Seasons Change and Hormones. There will also be inevitable comparisons to The Iron Ladies, which is about a winning men's volleyball team of gay and transgender players, but Youngyooth Thongkonthun's 2000 comedy had something that Sassy Players lacks -- earnestness and a heart.


The host of young actors and actresses all seemingly look just like the young actors and actresses in teen romances by Sahamongkol and GMM Tai Hub -- so Poj Arnon and Phranakorn now have the necessary parts to assemble their own teen romantic comedies. Look out.

The problems with Sassy Players are many. For one, the two dozen or so characters are dealt with artlessly and confusingly. To help process them all, I treated the seven katoeys as one character. A group of rival teachers who want to sabotage Tukkie is another character. Former Bangkok gubernatorial candidate Leena Jangjanja is among these, but oddly the colorful politician and beauty-product queen doesn't make much of an impression. The straight (or are they gay?) boys on the football team are another character. The boys on the rival powerhouse team -- always gratuitously filmed in the locker room in their briefs -- is another. Throw in a dwarf referee, a rather confused Japanese teacher (Season Change's Yano Kazuki), lesbian schoolgirls, "Lukate" Metinee Kingpayom and a katoey housekeeper with a bizarre taste in accessories, and it's all pretty overwhelming.

The usually eye-popping cinematography by Tiwa Moeithaisong bafflingly fails here too. The lighting is flat and blindingly contrasty, though once the story settles into the football games, the images are more kinetic and tolerable.

Because I submitted myself to Sassy Players, I kept looking for something to like, and at least try to enjoy the movie.

There's the unique kicking style of the katoey players. Like the gay character in Revenge of the Nerds, whose limp-wristed javelin throw was a big winner, the queer kicks by the katoeys kept the opposing goalkeepers guessing.

And the other thing in Sassy Players that made me smile was diminutive comic actress Sudarat's ability to dominate every scene. If her sassy attitude didn't make her the star, then the progressively weirder outfits she wore ensured that all eyes would be on her no matter how strange things got.


Related posts:

Friday, April 10, 2009

Animated short Victim at Gulf Film Festival


The second Gulf Film Festival is on in Dubai, and among the 28 animated films is Victim, a short by Nattaporn Yiamchawee and Nattapol Nark-ngen.

The 10-minute computer-animated work is a psychological study of a man imprisoned in the solitary confinement of a small, square cell with no door and only light streaming in from above. As time goes by, the man loses his sense of reality.

Victim was featured in the competition at last year's 12th Thai Short Film & Video Festival, where it won a special mention Payut Ngaokrachang Award for animation. It's making its international premire in Dubai.

The Gulf Film Festival started April 9 and runs until April 15.

(Via Saudi Gazette)

Singapore fest drops six titles over censorship


Six films have been withdrawn from the 22nd Singapore International Film Festival because of censorship, among them two competition titles, and four from Southeast Asian directors. Here's the films that were disallowed or passed with edits by the Board of Film Censors:

  • Boy -- Filipino director Auraeus Solito's film is the coming-of-age story of a boy who falls in love with a macho dancer. A Silver Screen competition film, the director had the option of having jurors view it in a closed-door screening, but Solito has decided to withdraw it from competition.
  • Shahida -- Israeli director Natalie Assouline's documentary on Palestinian women imprisoned for suicide bombing-related activities is disallowed. The Singapore censors are sensitive when it comes to the subjects of Islam and Middle Eastern affairs. It was part of the "In Focus" section.
  • An Extraordinary Study of Human Degradation -- Swedish filmmaker Patrik Eriksson used his cellphone camera to capture his severe mental breakdown after being dumped by his girlfriend, which saw him spiralling into a "chaotic world of netdating, excessive parties, masturbation and problems with women". The film was rated R21 with an edit to prolonged sexual scenes. It was part of the "Imagine" program of experimental works.
  • Female Games -- Kan Lume's drama about two Singaporean models who travel to Kuala Lumpur was to have made its premiere in the Singapore Panorama. It's "the first contemporary Singaporean film to boldly portray female homosexuality". It was rated R21 with an edit to a scene of "prolonged and explicit lesbian sex".
  • Melancholia -- Also part of the "Imagine" section, Lav Diaz' 450-minute drama on political oppression was rated R21 but still edited for "explicit sexual and lesbian scenes". It had been set for a free screening at Singapore's Goethe Institut.
  • Blind Pig Who Wants to Fly -- Edwin's reflection on Chinese people in Indonesia was rated M18 with an edit to a scene of "prolonged homosexual sex". Among the characters in the movie is "an influential gay couple with a fetish for army overalls [who] engage in a bizarre ménage à troi". Another title in the Asian Feature Film Competition for the Silver Screen Awards, Blind Pig will still be screened privately for jurors.

The Singapore International Film Festival has a no-cut screening policy -- if the Media Development Authority's Board of Film Censors make any edits, the film won't be shown in the festival. It's a good policy and a transparent way of doing things.

Additionally, four titles are rated R21 for mature themes, language or sexual scenes and allowed for screening in the festival only: Wendy & Lucy, The Wackness, Men's Group and Weltstadt -- City of the World.

It is interesting that Singapore has a motion-picture ratings system but also cuts movies, even those restricted for audience members over age 21. It must be this system that the Thai authorities looked to when designing their own forthcoming ratings system, which has provisions for cutting or banning.

As a reminder, there's an extensive lineup of Thai films at the Singapore fest. Among them is the special program 25 Years of the National Film Archive of Thailand, as well as three contemporary films. Here's the films and their ratings in Singapore:

  • The Boat House (PG)
  • King of the White Elephant (PG)
  • Diamond Finger/Signature: The Life and Work of R.D. Pestonji (NC16)
  • Sugar Is Not Sweet (NC16)
  • Son of the Northeast (NC16)
  • Gems from the Thai Film Archive (PG)
  • The Convert (NC16)
  • A Moment in June (R21)
  • Agrarian Utopia (PG)

The 22nd Singapore International Film Festival starts on Tuesday (April 14) and runs until April 25.

Update: By the way, I should mention that both screenings for A Moment in June are sold out.

(Via @siff09)