Monday, March 8, 2010

HAF adds Wouter Barendrecht Award

The Hong Kong-Asia Film Financing Forum has dedicted an award to the memory of producer Wouter Barendrecht, which will go to new filmmakers.

Barendrecht is credited with helping a generation of Asian filmmakers reach a global audience. In addition to such names as Wong Kar-wai and Iwai Shunji, the producer and co-founder of Fortissimo Films also helped put Thai cinema on the world map, backing movies by the likes of Pen-ek Ratanaruang (Last Life in the Universe, Invisible Waves, Ploy), Wisit Sasanatieng (Tears of the Black Tiger), the Pang Bros. (Bangkok Dangerous), Ekachai Uekrongtham (Pleasure Factory) and Apichatpong Weerasethakul (Syndromes and a Century). Barendrecht was in Bangkok to see the rough cut of Pen-ek's Nymph when he died on April 5 last year, and the film was dedicated to him.

The new HAF award, worth HK$50,000, will be funded by the Wouter Barendrecht Film Foundation and the Film Development Fund, and will go to the HAF projects "by directors who have made less than three films". The winner will be selected by the Foundation’s representatives.

Other prizes at HAF are the HAF Awards, which go to one Hong Kong project and one from overseas and are worth HK$150,000 each; the Technicolor Asia Award, presented by Technicolor Thailand to a project that shows the highest potential for film financing; and the Paris Project Award, in which the winner goes to Paris Cinéma International Film Festival to participate in the Paris Project 2010.

Among the 25 selections for HAF this year are Ekachai's Chang & Eng (project PDF), an adaption of his 1997 stage musical about the original Siamese twins, and Lee Chatametikool's Past Love, set during the Asian financial crisis of 1995-97 (project PDF).

HAF will be held March 22 to 24, during the Hong Kong International Film Festival.

(Via AFA-Asian Film Awards)

Saturday, March 6, 2010

Historical epic Kon Tai Ting Pandin set for April 10 release

Three years in production, Kantana's historical epic Kon Tai Ting Pandin (คนไท ทิ้งแผ่นดิน), a.k.a. The Edge of the Empire, is set for release on April 10.

There's a website that may or may not be up and running when you click that link. A teaser poster is floating around. And there's a trailer at YouTube (embedded below).

It's about the legendary ancestors of Thai people and their struggle for freedom.

The cast includes Praptpadol Suwanbang, Anant Lapanich and Sarah Legge.

It's directed by “Ta” Nirattisai Kaljaruek, who last directed a film 16 years ago, Ka-wao Ti Bang Pleng (กาเหว่าที่บางเพลง, Cuckoos at Bangpleng), a horror thriller based on a book by National Artist and statesman MR Kukrit Pramoj. The book is said to bear a resemblance to John Wyndham's The Midwich Cuckoos, adapted by John Carpenter into Village of the Damned. Aptly for the story, the ka-wao bird, a.k.a. the Asian koel (hear it here), is a brood parasite -- it leaves its eggs in other birds' nests for the hatchlings to be reared.

Khon Tai Ting Pandin is based on a 1973 book by Sanya Pholprasit, The Nation's Soopsip column said earlier this week. And there are various sources say that book won an award from the John F. Kennedy Foundation in Thailand. This is before "the Internet", so there's no record of that I can find on it except for those press releases.



(Via Filmsmash, also thanks to Deknang)

Friday, March 5, 2010

Unreal Forest heading to Milan fest


Jakrawal Nilthamrong's latest feature Unreal Forest will screen in Milan at the 20th African, Asian and Latin American Film Festival.

Via production company Extra Virgin, there's a trailer for Unreal Forest at YouTube and it's embedded below.

It's part of the Forget Africa line-up that debuted at the International Film Festival Rotterdam. The 13 films were commissioned by the IFFR and shot in Africa by Asian and Western directors working with local directors. The directors were asked to travel in an African country of their choice and make a film based on their first impressions.

Here's the line-up:

  • Cameroon Love Letter (For Solo Piano), Khavn De la Cruz, Philippines (Cameroon)
  • Sarah and Omelga and No Woman Born, Tan Chui Mui, Malaysia (South Africa)
  • Where Are You Taking Me?, Kimi Takesue, USA (Uganda)
  • Walking Is Dancing, Deborah Stratman, USA (Mali)
  • BZV, Kevin Jerome Everson, USA (Angola)
  • Rwanda: Take Two, Pia Sawhney, USA (Rwanda)
  • tranzania. living. room., Uli M. Schüppel, Germany (Tanzania)
  • Memories of a Burning Tree, Sherman Ong, Singapore (Tanzania)
  • Portrait of a life and a the country, Joanna Arong Vasquez, China & Philippines (Zambia)
  • Unreal Forest, Jakrawal Nilthamrong, Thailand (Zambia)
  • Nairobi Notes, Edwin, Indonesia (Kenya)
  • Slam Video Maputo, Ella Raidel, Austria (Mozambique)

Hope that package stays intact and comes to my neck of the woods. The Milan fest runs from March 15 to 21.



(Via Extra Virgin and e-mailed IFFR press release)

Coming to DVD in the U.K.: Raging Phoenix

As mentioned in last week's post about the Singapore DVD, Jija Yanin's sophomore action effort Raging Phoenix is being released in the U.K.

The date is now set for April 12. Amazon.co.uk has a page ready.

No details about special features yet, but DVD Active has huge images of the DVD and Blu-ray covers as well as the U.K. trailer.

(Via 24framespersecond; thanks Logboy!)

The Asian Film Archive turns five


The Asian Film Archive, based in Singapore, turns five years old this year.

It's celebrating this weekend. Very short notice I realize, and I'm sorry I didn't pick up on this earlier, but tonight the Archive has organized Short Films from Asia, a screening at 8 at the University Cultural Centre Hall, National University of Singapore. They'll show Butterflies Have No Memories (Walang Alaala Ang Mga Paru-Paro) by Lav Diaz, Lost in the Mountain (Cheopcheop Sanjung) by Hong Sang-soo, Everyday Everyday (Mei Yi Tian Mei Yi Tian) by Tan Chui Mui, A Letter to Uncle Boonmee by Apichatpong Weerasethakul and Block B by Chris Chong.

On Saturday, there's the Save Our Film Campaign Finale, with video projections, film-trivia quizzes and DVD giveaways running from 1 to 5 along Orchard Road. The Save Our Film campaign to celebrates Singapore's and Asia's rich film heritage and aims to raise awareness of the need to save it for our future. Watch the YouTube clip to find out more.

Also this weekend -- and now (facepalm) I'm really sorry I didn't see this sooner or was alerted to it -- I might have arranged for a vacation and re-entry visa so I could fly down: Media Fiesta: The Spectaculars. Seven Singapore films from the 1950s to '70s will be shown today and tomorrow at the Cathay Cineplex: Our Sister Hedy, Bionic Boy, They Call Her... Cleopatra Wong, Mat Bond (Mr Bond), Mambo Girl, Air Hostess and Sumpah Pontianak (Curse of the Vampire). Sigh. I'll probably die before I get to see the likes of Cleopatra Wong, Bionic Boy and Mambo Girl on the big screen.

Next Saturday, March 13, it's Spotlight on NUS Alumni Filmmakers, with a screening of Flooding In the Time of Drought by Sherman Ong and White Days by Lei Yuan Bin. These are two recent highly experimental feature films that represent a bold new direction for Singaporean cinema. You can meet the filmmakers and pick their brains in a panel discussion. Both digital productions, they are preserved with the support of the National Archives of Singapore and will be projected from the digital servers of ACDN. Admission is free, courtesy of the NUS Centre for the Arts and NUS Office of Alumni Relations. The shows start at 2 at the Shaw Foundation Alumni House Auditorium at National University of Singapore.

These are fantastic opportunities to celebrate Asian film and highlight the cultural importance of film preservation.

Update: Cleopatra Wong and Bionic Boy director Bobby A. Suarez, aka "George Richardson", died on February 8. Also, here's an interview with Cleopatra Wong herself, Doris Young, aka Marrie Lee.

Water buffalo roam in Bang Rajan 2 trailer


Finally, some decent water buffalo battle action in the upcoming Bang Rajan 2 (บางระจัน ๒), director Thanit Jitnukul's sequel/reboot of his 2000 patriotic battle epic, which appears to be just as blood-soaked, violent and full of sword-clanging rage as the first film.

Similar to the Alamo of Texas, the story is based on a legend of a tiny farming village that fought the Burmese invaders, despite overwhelming odds. They beat their plowshares into swords, melted their rakes and shovels into new implements of destruction. Lacking horses, the town drunk mounted his water buffalo and rode into battle, swinging axes. Even the womenfolk got in on the two-fisted sword action, lopping off heads. In their brave sacrifice, the plucky fighters kept the enemies engaged long enough for the capital at Ayutthaya to put up a proper defense and save itself.

Bang Rajan was one of the first to "go inter" during those heady years when Thai films were becoming known to wider international audiences. Stars included Winai Kraibutr from Nang Nak, with actress Bongkote Kongmalai making her debut. In the U.S., the film was "presented by Oliver Stone", who again championed the film in a recent Bangkok appearance.

Produced by Phranakorn, stars in this new version include veteran leading man Chatchai Plengpanich, and, making his acting debut, former tennis ace Paradorn Srichaphan, who's traded in his racket for broadswords.

The sequel promises a reprise of the water buffalo charge, this time with more water buffalo! Also, there will hopefully be more moustaches than the timid caterpillar spotted on Nok Chatchai's upper lip.

There's a trailer on YouTube, and it's embedded below.

Twitch has the trailer too, and a gallery of burnished stills, suitable for framing.

Bang Rajan 2 opens in Thai cinemas on March 25.

Thai horror and comedy trounce Oscar nominees


The Thai psychological horror Who Are You (Krai ... Nai Hong) and the military boot-camp comedy Kongphan Kruekkruen Tor Tahan Kuekkuk (Jolly Rangers), topped the Thai box office at the end of February, handily outperforming two Oscar-nominated movies that opened the same weekend.

Sahamongkol's Who Are You earned $350,848, around 11.4 million baht, to take the top spot on the Box Office Mojo chart for February 25-28. Starring veteran screen and television actress Sinjai Plengpanich and based on a story by popular comic book writer Eakasit Thairatana, the thriller is about the mystery of a boy who's locked himself away in his bedroom.

Phranakorn's Kongphan Kruekkruen Tor Tahan Kuekkuk was a close No. 2. It's a slapstick farce about four young men who are drafted into the army and are sent to boot camp.

Both the homegrown films dominated the box-office in the run up to the Academy Awards, when Thai multiplexes heavily advertise with statuette-laden posters. But the two nominees, Up in the Air, put on just 10 screens, and The Hurt Locker, even more limited with just two, didn't even make the Top 10. The two Thai films were allotted 100 screens. But would Thai audiences go see George Clooney collect frequent-flier miles or Jeremy Renner defuse bombs if those movies were on 100 screens?

No. 3 was the Denzel Washington post-apocalyptic Bible-thumper Book of Eli. Percy Jackson and the Lightning Thief, which had been No. 1 the previous two weeks, was in fourth. Yeun Woo-ping's True Legend, which had been in second place, was in fifth.

Review: Who Are You


  • Directed by Pakphum Wonjinda
  • Story by Prachya Pinkaew, screenplay by Eakasit Thairatana
  • Starring Sinjai Plengpanich, Kanya Rattapetch
  • Released in Thai cinemas on February 25, 2010, rated 18+
  • Wise Kwai's rating: 4/5

Tightly composed frames that come right out of a comic book leap off the screen in Who Are You.

Veteran leading lady Sinjai Plengpanich stars as a dealer of dodgy DVDs. With her dyed-hair wig she could be a sister of the sleazeball policeman her husband Chatchai played in Slice. But Sinjai's character Nida is less threatening. She's also pretty cheerful, joking around with customers and showing them how to relieve stress by laughing. She lets it out in big bursts of air from the diaphragm, HA-HA-HA-HA-HA!

The smile turns to a frown later though, when she talks about her son -- the boy has been holed up in his bedroom playing video games for five years.

One of Nida's customers, a TV producer (Pongpit Preechaborisutkhun), finds something on the Internet that says the kid has a condition known as hikikomori, which is common in Japan, hence the name, and involves people who withdraw from society and lock themselves away in their rooms.

Nida leaves meals on a tray outside her son's door. She also buys him comic books, and slides them under. When he communicates, it's through angry one-liner notes written in red on ripped-out comic book pages. "Don't mess with me," he warns.

Meanwhile, across the street from Nida's house, there's a young woman (Kanya Rattapetch) in a Japanese-style cos-play outfit. What's her deal, and how is she connected to the story? Turns out she has allergies and can't go outside, or even go near the window. So she's a shut-in against her will. Instead of "don't go in there", it's "don't go out there".

Like a comic book that's been unbound and cut up, there are pages and panels that are jumbled and form a puzzle.

Another piece is Nida's involvement in a New Age cult that is teaching adherents the power of their minds and how to cut a pencil with a piece of paper while blindfolded.

And there's the display of taxidermied forest critters in Nida's home, left behind by her gun-nut husband, who she says is dead. It gives the place a creepy atmosphere, like Norman Bates' house in Psycho -- probably the intended reference.

Directed by Pakphum Wonjinda, who previously helmed the Sahamongkol horror-thrillers VDO Clip and Scared, Who Are You bears the loopy hallmarks of Thai horror. Appropo of nothing, a monkey offers comic relief. Of course, there's a ladyboy character. Only here, she's actually not annoying. And similar to Yuthlert Sippapak's Buppah Rahtree, a pair of bumbling cops briefly show up to defuse tensions. The roles could have possibly been intended for the two men who have now made perhaps a dozen cameos wearing their brown uniforms in various films, but here it's two other filmmakers, Taweewat Wantha as the lieutenant and Bandit Thongdee as the scared sergeant, who provide the laughs.


Producer Prachya Pinkaew came up with story and the hikikomori element. Remember, this is the nerd director who had an autistic girl laying waste to yakuza in Chocolate. He turned it over to writer, Eakasit Thairatana, and said, "go wild, son". The movie has the rare distinction in the Thai industry of being advertised for its writer. The manga-influenced Eaksait wrote the comics that director Chookiat Sakveerakul's 13 Beloved (13 Game Sayong) was based on. He also wrote director Paween Purikitpanya's Body #19, the GTH thriller that flipped like a comic book, and had a hand in GTH's 4bia, I believe Paween's Tit for Tat segment.

By the end of Who Are You, fans will recognize the comic-book influence and the cartoonish traits.

Holding it all together is Sinjai, whose character is so sympathetic, you want to knock on that son's door and shout at him, "Look at what you're doing to your mother". Eminently watchable, she is the key to the suspension of disbelief. Any nagging questions that might come up are nipped in the bud when she's collapsed on the floor with blood dripping on her cheek.

In her hair ribbons and majorette's uniform, young actress Kanya also ably shoulders the burden of keeping the story lurching forward.

Who Are You is also known as Krai ... Nai Hong (ใคร ... ในห้อง ). But it's the English title -- in its declarative form, no question mark -- that the movie is listed as at the Thai multiplexes. The title has also been stated as Who R U, for the character-limited age of SMS and Twitter, but could also be Who Are You! -- exclamation point because of the hysterics, screams and many plot twists the characters go through.

Audiences can add their own question mark at the end. Or, go see it again and try to figure this puzzler out.



Related posts:

Tuesday, March 2, 2010

Bangkok Adrenaline getting U.K. DVD release

Written, produced and starring martial-arts actors and stuntmen, Bangkok Adrenaline will be released on DVD in the U.K. on March 22 by Optimum Home Entertainment. Amazon.co.uk has it.

Directed by Raimund Huber, the story involves a group of foreigner backpackers who are roped into a scheme to kidnap a beautiful young heiress ("Pu" Priya Suandokmai). Daniel O'Neill stars along with 7-foot-tall stunt actor Conan Stevens (who also co-wrote with Huber and Gregory T. Eismin) and Gwion Jacob Miles. Stunt and action coordinators included Marky Lee Campbell, Pangrit Sangcha and Ron Smoorenburg.

The movie was released in Thai cinemas last year with a Thai soundtrack only in order to prevent piracy and maximize the exclusivity of selling the film to English-language markets. So this release in the U.K. will be the first time it's available with its original soundtrack.

(Via Kung Fu Cinema)

Monday, March 1, 2010

Catch Slice, Mundane History, Boonmee in Hong Kong


Slice, Mundane History, A Letter to Uncle Boonmee and Lumphini 2552 will be featured in the 34th Hong Kong International Film Festival, which opened for businss yesterday.

Slice (Cheun), is a top nominee for both the Thailand National Film Association Awards and the Bangkok Critics Assembly, and director Kongkiat Komesiri won at the Starpics Awards. The gritty and gory crime thriller will screen in the Midnight Heat section, making its official "international premiere" in Hong Kong. The International Film Festival Rotterdam, where it was a "small film" with a 3.8 out of 5 audience rating, didn't count.

The social-class drama Mundane History (Jao Nok Krajok), winner of the Tiger Award in Rotterdam, is in the Indie Power section. The debut feature by Anocha Suwichakornpong, it's also in the FIPRESCI Prize competition.

Tomonari Nishikawa's experimental Lumphini 2552 Avant Garde Program I and Apichatpong Weerasethakul's A Letter to Uncle Boonmee is in Avant Garde Program II.

Mundane and Boonmee can also be seen at the upcoming San Francisco Asian American Film Festival.

The Thai presence at this year's HKIFF is bit muted compared to past years. One factor is that no Thai films are nominated for the Asian Film Awards that are held in conjunction with HKIFF. But Lee Chatametikool has an editing nod for Karaoke by Malaysian director Chris Chong Chan Fui.

It's a huge festival, with 240 films from over 50 countries. Hong Kong films are the big focus of the festival, which includes a Bruce Lee career retrospective, in celebration of the 70th birth annivesary of the martial-arts legend.

The fest runs from March 21 to April 6.